A struggling novelist moves his wife and young son to an old country home where he intends to write his next bestseller, but when a presence begins to communicate with his son, the tortured family must fight to escape an evil that threatens to doom them to the house for eternity.

英国知(😞)名(míng )舞台剧《鬼故(🏙)事(💊)》将被搬上大银幕(🚐)，新(🎉)片主演(yǎn )马丁·(🌎)弗瑞曼、乔(🎬)(qiá(🤥)o )治·麦凯、安迪(🧐)·(🕴)尼(ní )曼等。尼(ní )曼(🎳)继续出(chū )演他在剧(🤫)(jù )中的角色(🈚)(sè )古德曼教授。古德(🏬)(dé(🗃) )曼是一位(wèi )心(🛩)理(💘)治疗(liáo )师，从不相(xià(🧘)ng )信鬼怪之(zhī(📟) )说；然而(ér )三个病(😸)人(rén )的“见鬼(guǐ )实(🖨)录(🌤)”让(ràng )他对原有(yǒ(🎴)u )信(💔)念产生了怀(🔭)疑。作为最受欢(huān )迎(⛑)的惊(jīng )悚戏剧之(😮)一(⏰)(yī )，该剧曾(céng )在全(🆓)球(🦐)多(duō )地进行巡(xú(🔐)n )演。

稍峪乡稍(💦)峪(🔇)村(cūn )党支部书(shū(🚛) )记(💤)兼村委会主任石(🚪)(shí )大刚提议，根据该(🚑)村(cūn )实际情(🌯)况(kuàng )，成立鑫(xīn )旺农(🚣)业(🍤)合(hé )作社。在(zà(😂)i )外(👲)地搞实体的共产(chǎ(🐂)n )党员张兴(xì(🎮)ng )旺闻讯后(hòu )赶回村(🥎)里，愿意投资(zī )鑫(🌎)旺(🎠)农业(yè )合作社。由(🏾)党(👸)支部(bù )提议(✨)，两(liǎng )委会商议(yì )，党(🔝)员大会审议，群众(😫)代(🐼)表大(dà )会决议(yì(🤫) )，制(🥘)定了稍(shāo )峪村成(🥨)立(lì )鑫旺农(🌲)业(🧒)(yè )合作社，发展绿(🍋)色(📄)无公害高(gāo )效设(😙)施农(nóng )业产业和乡(🚤)村旅游(yóu )项(🎴)目总体思(sī )路的宏(🏤)伟(😙)(wěi )规划。两(liǎng )委(🐦)会(🎵)的提(tí )议，得到(dào )了(🔮)广大村(cūn )民(⬆)的赞同拥护。村(cūn )里(🍚)百分之(zhī )九十的(🎲)村(⏱)(cūn )民与张兴旺(wà(🎦)ng )签(🛤)了合同(tóng )。但(😖)是，要想将土(tǔ )地联(🍷)成规(guī )模化半夏(🙃)(xià(🕔) )基地，正(zhèng )处规划(🅿)中(🔪)心地带丁(dīng )家的(📜)八亩地(dì )必须(🐷)签(qiān )约，而丁家(jiā(🚑) )当(👏)家人丁(dīng )传根和(🌔)张(zhāng )兴旺一家(jiā )关(🎓)系错综复杂(🦎)，祖(zǔ )上有恩怨(yuàn )，牵(🎗)扯(😅)到清朝年间(jiā(🙈)n )两(😧)家大人一(yī )起抗捐(📐)一(yī )起逃亡(🗡)一(yī )个被抓一(yī )个(💹)失踪的(de )无头案。父(🚔)辈(🀄)有交情，丁犟(jiàng )人(🔵)和(👢)张家(jiā )老爹(📤)老村长张忠厚是(shì(🥙) )儿时一起(qǐ )学艺(👅)的(🍠)师(shī )兄弟，丁(dīng )传(🗺)根(🧟)的儿(ér )子丁小虎(🌻)(hǔ )是一名共(gò(🛹)ng )产党员，担任村支(💔)(zhī(🤰) )委，因受祖(zǔ )辈传(🙊)教(jiāo )，对张兴旺(wàng )投(🎒)资承包(bāo )鑫(🔝)旺农业(yè )合作社，表(🚃)示(🛫)坚决反对。正(zhè(💋)ng )值(⛔)党中央(yāng )在全体党(🦖)员中开展(zhǎ(🛳)n )“两学一做(zuò )”教育活(🐽)(huó )动。通过(guò )对丁(🤐)小(🐇)虎(hǔ )的耐心说(shuō(➖) )服(🔻)，丁小(xiǎo )虎偷(💓)着签了土地流(liú )转(🥟)合同。丁犟人丁传(💙)根(🍨)闻讯后(hòu )把小虎(💽)越(🐹)(yuè )俎代庖签(qiān )下(🌺)的合同(tóng )撕得(🚩)粉碎(suì )，还提到(dà(🏨)o )了(👩)两家避(bì )讳不轻(💖)易(♌)揭破的祖(zǔ )上恩(📠)怨，放(fàng )下了(🌇)绝(jué )不可能有半(bà(🍿)n )点(💕)商量余(yú )地的(🌮)狠(🐅)话(huà )。在县档(dàng )案局(🙊)工作的丁犟(🕯)人(rén )丁传根的(de )孙儿(🚯)丁罗林，通过(guò )查(😓)阅(🦉)存档资(zī )料，还原(💔)(yuá(🐑)n )了俩家祖(zǔ(🙄) )上真正的(de )历史。丁(dī(🏍)ng )犟人和张(zhāng )忠厚(🛄)师(🏉)兄弟变成结(jié )拜(⛩)兄(🍅)弟，张兴旺在众人(🥗)笑声中(zhōng )拿出(🏵)了贴(tiē )身带着的(🐛)(de )空(🍣)白合同(tóng )。

千百年(⏬)(niá(🈚)n )来，地球(qiú )上一直(🔘)住(zhù )着一种(🐁)外星生物，名叫喵星(🔓)人(🐒)(rén )。它们(men )从遥远(🍼)的(🕷)喵(miāo )星来到地(dì )球(🕢)，化身(shēn )为猫(㊙)科动(dòng )物，分散在世(💅)界每(měi )个角落。萌(📇)萌(🔎)的外表，加上(shàng )机(😑)智(👩)聪明的(de )头脑(🗝)，轻(qīng )易就得到(dào )人(🚈)类的宠(chǒng )爱。不愁(🖤)(chó(🏉)u )吃喝的它(tā )们桀(🏂)骜(🛅)不驯，活像(xiàng )饱经(🙄)沧桑(sāng )的江湖(🕧)大佬。犀犀利就是(😉)他(♑)们(men )中的一员(yuán )，作(🏰)为(🛫)一(yī )名正牌的(de )喵(🙍)星来客(kè )，它(🛵)肩负(fù )使命长途跋(🎁)涉(🚱)来到(dào )地球，却(🚠)意(🙊)外遇到(dào )了吴守龙(🖲)（古天乐饰(📏)(shì )演）一家(jiā )，上演(😦)了(le )一幕相运(yùn )相(🤽)生(🈴)，喵(miāo )趣横生的(de )人(🕥)猫(🌚)奇遇记。

Since early childhood, Björn has secretly carried an insurmountable fear. When his father dies of old age, he and his four sisters are each left with a video message, that makes him question everything. Director Johan Lö(🏠)fstedt’s extended family play themselves in a heartfelt and unconventional film about life, death and the courage to change

曾在釜山(shān )酒吧(😔)打工的郑经理(lǐ(🌾) )，通(📔)过偶(ǒu )然的机会(🎠)(huì(🐀) )偷了混混(hún )的钱(💅)包之后成功逃(⛰)(táo )逸，逃到(dào )首尔(🗣)地(🗡)下单间的郑经理(🌚)等(😜)待着(zhe )7年的公诉(sù(🖍) )时效期满(mǎ(🎱)n )，在房间(jiān )寸步不离(🍈)(lí(🏰) )，开始了(le )彻底的(🌞)隐(🛒)遁生活，但是在公诉(🐁)时效期(qī )满(🔇)一周前，郑经理偶(ǒ(🌎)u )然跟邻家(jiā )的小(🏗)女(🥜)孩(hái )恩美碰面(mià(🤘)n )，

17歲(🥒)的莎(shā )拉全(🙈)心投(tóu )入學校的戲(🧛)劇排練(liàn )，赤裸地(🏴)體(🥀)(tǐ )驗舞台上和生(🐨)活(✊)中(zhōng )的暴力。當她(🦖)試圖(tú )揭露深(🕦)藏(cáng )心中的醜陋(🎊)秘(🍲)密，高聲呼喊(hǎn )卻(📝)孤(✴)立無援，於是在莎(🖕)士比亞(yà )和(🌀)華格納(nà )的經典劇(🏢)(jù(👨) )目中尋找(zhǎo )寄(🤫)託(✋)，她(tā )想握有茱(zhū )麗(👱)葉的匕首，想(🏙)跟(gēn )隨伊索德的腳(🅰)步殉(xùn )情而去，當(🚷)(dā(⛏)ng )她站上舞(wǔ )台，她是(📝)(shì )否能對世(🕸)(shì )界展開反(fǎn )擊，扮(👦)演(yǎn )的界線究(jiū(😃) )竟(🎹)在哪裡？

“治癒(yù(💄) )”睡(🐈)眠，挑(tiāo )战人类清醒极限！

Nine no-budget horror/comedy shorts that explore themes of murder, death, revenge, self-mutilation, stalking, clones, hell, and weird squid babies.

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.