在《绑架王公(gō(🌫)ng )子1》之(zhī(📌) )中，大狸子爵(jué )士惨(cǎn )遭(🐑)王某人(rén )格侮辱。续集中(❤)，大(dà )狸子密谋了一(yī )场(🆗)骇人听闻的(de )谋杀案(àn )......

米(⏲)希尔与兄弟(dì )弗兰(lán )克(🔆)经营着(zhe )一家小型建筑(🧖)公(🤕)司。当米(⛏)(mǐ )歇尔遇见(jià(🏻)n )蜜(😌)雪儿的(🗡)时候就对他(tā(🆒) )一(🌕)见钟情(🔐)了。美雪儿是一(🛃)位(🥓)(wèi )房产(💆)经(jīng )纪人并且(🌮)手(🌴)里(lǐ )攥(🌶)着(zhe )一项大项(xià(🚖)ng )目(🏽)。为了吸(💠)引蜜雪儿(ér )的注(🕗)意力，米(🕐)(mǐ )歇尔先要解决(jué )和弗(🕚)兰(lán )克的关系，因(yīn )为弗(🗝)(fú )兰克的计(jì )划开始威(🏴)胁他浪漫的(de )设计。

The continuing adventures of Henry, Jessie, Violet, and Benny as they spend the summer on their grandfather's private island.@艾米电(🖱)(diàn )影网

青年季诺(nuò )在办(🤧)完(wán )母亲的丧礼后(hò(🧤)u )，动(🍺)(dòng )身寻(🌪)找当(dāng )年抛弃(🚫)(qì(⬆) )妻子的(🔺)渣父，却只(zhī )找(🚭)到(🏊)疑似(sì(🗒) )小三的肚皮舞(💒)娘(👤)萝拉(lā(🍢) )。殊不知这位(wè(⏲)i )美(😣)丽的小(🚬)三，二十五(wǔ )年前(🐋)就是季(🚎)诺(nuò )要找(zhǎo )的「(⏸)他」。萝(😚)拉当年的绝情缺(quē )席，让(🚴)季诺难(nán )以释怀。面对(duì(🥍) )毫不知(zhī )情的儿子，萝(luó(🗽) )拉尽(jìn )管心慌，也尽其可(👶)能用现在的(de )模样爱他。几(📒)(jǐ )次互(🤺)动下来，季诺的(🏐)(de )心(🏿)逐渐柔(⬜)软起(qǐ )来。重塑(🏙)自(🕞)己(jǐ )且(✒)活得(dé )精彩的(😍)萝(🌄)拉，究竟(🆒)(jìng )会不会和(hé(🍩) )季(♏)诺出柜(🤪)，坦承自己(jǐ )的(🌫)人(😚)生故事(🌆)？

Ever since the death of her first dominant, William Frederick, Emma has struggled to adjust to life as a submissive without him. Unable to form lasting connections with other men, Emma chooses to abandon the lifestyle completely. But, her world is flipped upside down when she meets Mariah, a sassy young woman eager to explore the BDSM world. Seeing much of her former self in this young woman, Emma takes it upon herself to educate Mariah about life as a submissive and volunteers to act as her temporary dominant. However, things become complicated when Mariah grows attached to Emma and wants their arrangement to become a permanent one. Will Emma be able to walk away from the life she always loved and a girl who desperately needs her? Or is there more in the BDSM world for Emma than she ever fully realized?

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.