生田斗真、瑛太主演(yǎn )前少(shǎo )年(nián )犯题材电(🌖)影(🌁)《友(🤒)罪(🤚)》，改(🛥)编自药丸(wán )岳(yuè )的(de )同(tóng )名(🥍)小(⛳)说，由濑濑敬久执导(💲)。

Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.

《假(jiǎ )面骑(qí )士平成世代FOREVER》是一部(🚽)穿(🍳)越(😨)时(🚙)空(🎑)的战斗(dòu )，在(zài )常(cháng )磐庄吾与桐生战兔的世界里(🐄)发(💲)生(🅾)(shē(🔀)ng )了(🧚)(le )异(yì )变，就像被替换成别人(🈯)一(📹)般(👬)、同伴们(men )的(de )记(jì )忆(yì )一个接一个地失去了。接着(🕸)在(🕯)他(📿)(tā(😥) )们(🔌)(men )面(miàn )前(qián )，Super Time Jaker·Tid现身了，在守护少年幸吾的战(zhàn )斗中(zhō(Ⓜ)ng )，庄(💒)吾(⛽)遇(🗽)见(📊)了一位喜欢假面骑士的青(🦒)(qī(🚗)ng )年(nián )·充(chōng )（Ataru）。

影(✨)片以一个在隧道下被发(fā )现的(🚖)(de )十(🥛)几(🎸)岁(🛄)女(🍀)孩的尸体打开。Arun Kumar（Vishnu Vishal）是一位(wèi )有(yǒu )抱(bào )负(fù )的年(🥒)轻(🌾)电(🍦)影(🐝)制(🐌)作人。在他的追求(qiú )中(zhōng )，他(🍰)收(🏵)(shō(🚑)u )集了他在卧室里存放的各种故事(shì )和(hé )精(jīng )神(📜)(shé(🚉)n )病(📅)患(😳)者(🧠)和连环杀手的文章。对他(tā )的(de )企(qǐ )图(tú )和(hé )家庭限(🎷)制(🐍)的(😅)不(📞)断(🦕)拒绝迫使他放弃(qì )了他(tā(📢) )的(🏒)(de )梦想，并在他的姐夫(🥟)Doss（Ramdoss）的帮助下(xià )担(dān )任(rèn )警(jǐ(🔢)ng )察(🕉)分(📁)巡(👿)官(🏿)的工作，他自己就是一(yī )名警(jǐng )察。随后Arun搬到了Chennai并(🍂)与(🖨)他(🤜)的(😦)妹(🤕)妹Kokila（Vinodhini Vaidyanathan）住(zhù )在(zài )一(yī )起(qǐ(😝) )）(👧)，多(🍪)斯和他们十几岁的女儿Ammu（Abhirami）。然后(hòu )，一名女学生(💴)被(🏡)一(🎞)名(🏭)心(🤷)理杀手残(cán )忍(rěn )地(dì )绑(bǎng )架并杀害。Arun发现这次死亡(🛠)与(🔴)之(📿)前(👖)(qiá(😨)n )发(fā )生(shēng )的(de )事(shì )件有相似(🐊)之(⌛)处。尽管他试图让高(gāo )级官(guān )员(yuán )相信这一点，但他(😺)的(💣)努(🌩)力(🔝)却(🖱)徒劳无(wú )功(gōng )。在(zài )恋童癖的遭遇中，他被暂停了(💿)一(🕟)(yī(⛄) )段(🛍)时(🐚)(shí )间。然后Arun决定自己搜索。他(🔜)发(🏋)现(😱)一名(míng )女(nǚ )魔(mó )术(shù )师被发现是残忍杀害女学(😂)生(🏴)的(🔧)精(🦖)(jī(🚬)ng )神(shén )病(bìng )患者(zhě )。在连环杀手的生命中发生了一(yī(🚺) )系(🏒)(xì(Ⓜ) )列(👭)(liè(🤐) )事(shì )件。这位女士是钢琴(🔵)老(🀄)师(✋)和魔术师(shī )。她(tā )的(de )名字叫玛丽费尔南德斯。她的儿(➖)(é(🌨)r )子(🛡)名(👄)(mí(🎂)ng )叫(jiào )克里斯托弗，他的荷尔蒙不平衡（维(wéi )尔(ě(🐂)r )纳(♊)(nà(🔱) )综(🕺)合(🈺)征）这使他看起来老了。那(Ⓜ)(nà(💍) )个(🐻)有(yǒu )柔软角落的女孩对他的爱的拒绝让他(tā )感(🕢)(gǎ(🧐)n )到(💩)(dà(📊)o )愤(🥅)(fèn )怒。她与他保持距离使他的心灵(líng )思(sī )想(xiǎng )更加(🉑)(jiā(🐚) )糟(😷)糕(🍸)。还揭示了该病症的患者无(⛵)(wú(🎶) )能(🚴)为(wéi )力(lì )。所有的学生都开始在学校虐待和(hé )取(qǔ(🆕) )笑(🥌)(xià(🌧)o )他(🚅)(tā )。这使他在精神上软弱和沮丧。第二(èr )天，他决定在(🥉)母(🔵)亲(🏦)的(🛫)帮(🐱)助下以残酷的(de )方(fāng )式(shì )杀(🏙)(shā(🎶) )死这个女孩。他和他的母亲一起(qǐ )被捕(bǔ )。阿伦向当(🖕)时(🎄)的(🚄)副(🎿)巡(🐱)视员Rajamanickam警察求助。他(tā )收(shōu )集(jí )有关杀手的某些信息(🤩)。人(📄)们(⛅)认(🏄)为(wéi )这(zhè )个(gè )男孩(hái )和他(🐕)的(🍿)母(🍔)亲发生了意外，可能已(yǐ )经死(sǐ )亡(wáng )。但就在Arun离开Rajamanickam的(😬)房(✂)子(🚱)后(⛴)，那里出现(xiàn )了(le )凶(xiōng )手(shǒu )，他杀死了警察。阿伦是徒劳(🕉)的(🚝)(de )。但(🐰)(dà(⬅)n )是(🎃)他收集的照片显示出令他(🥌)震(🙌)惊的事(shì )情(qíng ) - 连(lián )环(huán )杀手不是女人 - 儿子，现在伪(📔)装(🚐)成(👮)(ché(🈚)ng )他(🕶)的(de )母亲 - 残忍地杀害了学校的女孩。经过(guò )一(yī )系(xì(🚂) )列(🈹)(liè(😎) )的(🎺)事件，阿伦不知何故设法与(🏟)杀(✨)(shā(🦎) )手(shǒu )面(miàn )对面(miàn )。最后，他能够杀死精神病患者(zhě )，并(⛑)(bì(🔻)ng )希(📠)(xī(✈) )望他有机会参加电影。

麦子的丈夫(fū )马(mǎ )豆(dòu )根(gē(⛏)n )在(🔙)煤(😒)矿(🌡)事(💃)故中受了伤，完全瘫痪(huàn )不(📭)能(📐)(néng )治愈，由此引发出麦子跟马豆根和矿(kuàng )主(zhǔ )老(lǎ(🥁)o )于(❇)(yú(🎩) )之(🔆)间(🎉)充满悬疑色彩的一场人性较(jiào )量，麦子(zǐ )用她的坚(🧗)贞(🎅)和(🍈)执(🕍)着发现了美丽谎(huǎng )言(yán )背(🎦)(bè(🛌)i )后(📳)(hòu )的真相，她对未来的生活也不知(zhī )会(huì )做(zuò )出怎(🐯)(zě(🍡)n )样(🐁)的(🚭)选择。

The Focusing Effect is a faux-documentary/horror film about three film students who make a doc about breakups, only to push one of their subjects too far.