收到媽媽(🥁)(mā )從(👲)山上寄來的蜜蘋(🎻)果,小(🗜)(xiǎo )月(yuè )計(🗣)算著(⛩),媽媽已經在外工(📏)(gōng )作(🥀)(zuò )許久了(🈹),媽媽的搖籃曲總(zǒng )是(📞)(shì )在(🐕)耳邊呼喚(👻)著。『你媽多(duō )久(jiǔ )沒(🙋)回來(🐻)(lái )了?』是小月(13歲(🍽)(suì ))與碧(⛄)艷(yà(🔭)n )(15歲)兩個小女(🔱)孩(há(📎)i )彼(bǐ )此關(❓)心(xīn )的話語。
A young girl and an old man are the only ones in a village who believe the old stories about dragons, and then a dragon arrives.
The story of life of a woman Mehri who unintentionally enters into an unknown problem and is searching for a solution for that.
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
A young couple picks the wrong hideout while trying to elude the police.
A young girl and an old man are the only ones in a village who believe the old stories about dragons, and then a dragon arrives.
Risking their life, they climb on narrow mountain paths every day, carrying 40 kg of goods on their back. Every mistaken step may chance upon a landmine. They are hunted like wild animals. And in the name of what? To earn just 10 dollars a day!?
大龄未婚(🔠)(hūn )青(🐶)(qīng )年:麦(⛳)(mài )圣男(于谷鸣饰)(😴)、魏(🌭)唯(王钰饰)和韩笑(🐩)(唐昕)(🌌)在(zà(📤)i )假期聚首,三人为(🔪)(wéi )了(🍓)给前去(qù(🥦) )参加音乐交流赛的夏(👍)小亦(🚍)(yì )(美加(😴)佳饰)凑应援团,在(zà(👆)i )“出租(🗼)情侣”的网(💧)店下了订(dìng )单(dān )。机场(♟)内一(🕹)番啼笑皆非的(de )“认亲”后(🤮),一行人踏(📶)上了(👦)(le )前(qián )往威海(hǎi )的(🏤)旅程(🎖)。旅行中,中(🤰)(zhōng )韩混血(xuè )吉秀贤((💝)袁昊(🕎)饰)对(duì(🔉) )韩笑暗(àn )生好感,但心(🕶)思细(🕍)(xì )腻(nì )的他发(fā )现,其(🥟)实麦圣男(👁)与(yǔ(🌔) )韩笑情愫(sù )已生(📄),只欠(⤴)东风,凭着(📉)极高(gāo )的职业操守,他(🍼)决定(😋)暗中(zhōng )推(🔊)(tuī )波助澜,上演一出动(✊)人心(🎣)(xīn )弦(xián )的攻爱大计划。几番起伏(📜)(fú )曲(🍰)(qǔ )折,圣男终于鼓起勇(🐂)气浪(làng )漫(🈂)(màn )告(🤮)白,赢得了韩笑的(👚)“美(mě(👪)i )人(rén )心”。
藝(📹)術家自古皆寂寞(mò )或(🍼)(huò )許(♈)是境(jìng )界(🏆),人到中年萬事(shì )憂(yō(🍅)u )則是(👲)現(xiàn )實。在畫室洋洋灑(😫)(sǎ )灑(sǎ )呈(🍞)現自(👄)(zì )由雄風的裸男(💇)畫作(😙)(zuò )令他一(🏷)舉(jǔ )成名,在家面對前(🐉)(qián )妻(🐋)懷着新(xī(💀)n )歡骨肉、與女兒相處(🌦)尷尬(🍋)(gà )卻(què )令他一籌莫展。貝蒙特的(🚨)(de )寂(jì(🈹) )寞,在於如何在著(🎵)名畫(🏂)家(jiā )與(yǔ(💱) )單親(🧖)爸爸雙重身份、(🕕)藝術(👉)(shù )創(chuàng )作(🔷)與家(jiā )庭生活之間取(🛷)得平(🌄)(píng )衡(héng )。維(🚫)羅(luó )(《電影就在街角(♿)(jiǎo )》,35 屆(🏝))找來合作多年的編(⏲)(biān )劇(jù )兼(🐑)美指(📤)(zhǐ )好友對號入座(📈),還(há(🍲)i )原(yuán )藝術(🆘)家(jiā )有血有肉的矛盾(🔔)本(bě(🤳)n )性,在出(chū(😕) )世與入世的兩難外(wà(🏎)i ),毋忘(⏩)點(diǎn )點超現實的幽默。
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