Aom is haunted by horrible nightmares which can’t be named & explained, she gets sicker everytime she got the nightmare. During her visit to her 80 years old grandma, she find out that, her grandma who looked more dead than alive, is hosting and feeding a ghost.

The Leprechaun returns once again, when a group of girls unwillingly awaken him, when they tear down a cabin so that they can build a new sorority house.

Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.

Konstantin, a songwriter and master guitarist, runs away from numerous problems to the nature reserve Mikhailovskoye. Kostantin has long lost any way of income and has almost given up hope to be heard, living by sheer inertia and often drawing on alcohol.

藝術家自(zì )古皆寂(jì )寞(🗞)或許是(🆔)(shì )境界(⏭)(jiè )，人到(🏴)中年萬(👘)(wàn )事憂(🕖)則(zé )是現實。在畫(huà )室洋洋灑灑呈(ché(🍋)ng )現自由(🥪)(yóu )雄風(🕋)的裸男(🚏)畫(huà )作(🚴)令他一(🔡)舉成(chéng )名(🐾)，在(zài )家面對前妻懷(huái )着新(😚)歡骨肉(🏎)、與女(✈)兒(ér )相(🐊)處尷尬(📀)卻令(lì(🤯)ng )他一籌(chóu )莫展。貝(bèi )蒙特(tè )的寂寞，在於(yú )如(🎗)何在(zà(🖼)i )著名畫(🏬)家與單(🍔)(dān )親爸(🈁)爸雙重(👡)身(shēn )份、藝(yì )術創作與家庭(tíng )生活(🌍)之間取(🔩)得(dé )平(🚰)衡。維羅(👸)（《電影(🏟)(yǐng )就在(👅)街(jiē )角》，35 屆(🛃)）找(zhǎo )來合作多年的(de )編劇(🔀)兼(jiān )美(👌)指好友(🕢)對號(hà(🥃)o )入座，還(🔵)原藝(yì(😛) )術家有(yǒu )血有肉的矛盾(dùn )本性，在出(🗓)世(shì )與(😒)入世(shì(🚃) )的兩難(🏖)外，毋(wú(👊) )忘點點(🔉)超現實的幽默(mò )。

During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.