Risking their life, they climb on narrow mountain paths every day, carrying 40 kg of goods on their back. Every mistaken step may chance upon a landmine. They are hunted like wild animals. And in the name of what? To earn just 10 dollars a day!?

During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.

Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.

UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.

风(🚴)(fēng )度翩翩(🎯)的(de )医生(💎)动(dò(👛)ng )了色心，欲(🚙)迷(mí )晕少女但错手杀(💙)人，险(🐢)被(bèi )送上断头(tó(😧)u )台，以(🐋)为逃出鬼(🗨)门关(guān )，岂(qǐ )知魔鬼已(📷)(yǐ )盯上他。战争前夕，他(❕)被(bè(😊)i )发配边疆(jiāng )，继而(♐)被奥(🎈)匈帝国将(⛰)(jiāng )领重(chóng )用，沉迷(mí )研(🕳)究麻(má )药乙醚。药物(wù(⛷) )能麻(🍞)醉止痛，亦(🥘)能制(zhì(📛) )造不(📫)(bú )知痛楚(⏭)不(bú )懂畏惧的科学怪(🎮)人。而他(tā )心底的欲(yù(🌞) )望，是(💧)想找到完(🥫)全驾(jià )驭他(🔷)(tā )人灵魂(🌋)的(de )方法。赞禄西继《色(sè(🤥) )》（39 届(🤒)）后再度审视(shì(🉐) )传统(🎆)(tǒng )道德防(👃)线(xiàn )，两段式结构揭示(🔁)妙(miào )手狂(kuáng )医跟魔鬼(🛍)(guǐ )握(🥣)手的浮士德心路(🎌)，亦检(🕊)(jiǎn )视法西(👝)斯(sī )之兴起，绝对的权(🚨)力(lì )将令(lìng )人绝对腐(🦋)化。

阿(💅)(ā )黛尔和(🛣)她的母(👃)(mǔ )亲(♊)孔查生活(📷)在城郊的(de )一个(gè )贫民(🐄)窟里(lǐ )。孔查的丈夫是(👪)个可(♉)(kě )恶的(de )暴(🏻)徒，他(tā )使母(🤠)女俩长期(💳)生活在(zài )暴力(lì )和虐(🐳)待之(🛀)(zhī )中。对(duì )此忍无(🎺)可忍(🚿)的(de )孔查决(🐽)定不顾一切风(fēng )险，偷(👔)走一大(dà )笔钱，并带着(😹)女儿(🎢)阿(ā )黛尔(⛩)(ěr )逃离(😃)。不(bú(🐥) )幸的是，她(🥒)们在出逃(táo )中被(bèi )发(👐)现了。在追捕(bǔ )过程中(⏲)，孔查(👅)(chá )却意(yì(♿) )外地驾(🛹)车撞(🏌)死了(le )丈夫(🍈)……这场(chǎng )逃离注定(🤐)是一次冒险(xiǎn )，而(ér )母(🦇)女俩(🆚)竭(jié )尽全(🕐)力，才能挣脱(🧛)一(yī )直禁(🤑)(jìn )锢她们的(de )牢笼。在这(😈)段跨(⛏)越生(shēng )命的(de )寓言(🌈)中，力(🦏)量、困难(😮)、爱的希(xī )望、机会(🐰)和死亡如影(yǐng )随形(xí(🆕)ng )。

Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world – Eastern or Western –(👔) they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages.

2033年(nián )，一名(📡)少女受(🥅)困在(😫)一(yī )間神(🎛)(shén )祕的孤兒(ér )院。她穿(🚋)越時空回到(dào )了過(guò(🕘) )去，尋(📒)找(zhǎo )自己(🔝)的(de )親生(💡)父母(🐫)，企(qǐ )圖要(🌁)(yào )改變過往、扭轉(zhuǎ(🤟)n )未來，或許，她的人生將(🈵)有不(🆑)同的(de )發展(🤣)(zhǎn )。

是要怪(guà(🤰)i )整蠱的一(🎡)方，還是要(yào )怪被(bèi )整(⛹)蠱的(📫)一(yī )方？哇！整人(🤷)大賞(🕰)2018 即(jí )將開(🤶)(kāi )演。空前(qián )絕後 哇(wa )！整(🎑)人大賞2018，這裡是藝人與(🏾)藝人(⬆)之(zhī )間你(🔆)(nǐ )整蠱(🥧)我，我(💒)整蠱你，相(🏚)互整蠱(yě )，完(wán )全無敵(😞)，空前絕後的綜藝節目(🤭)(mù )。