中(🍾)(zhōng )年建築師遇(⏫)上(😁)人(rén )生(shēng )瓶(⛄)頸(🔽)，在家被(bèi )老(⛲)(lǎ(🔼)o )婆嫌棄，公司(sī(🎷) )小(xiǎo )開兔死狗(🖖)烹。失(shī )業的他(🏧)在曼谷街頭(tó(🚩)u )驀(📊)然回首，瞥(piē(🛬) )見(🕉)(jiàn )大象Pop Aye，憶起(🐇)歡(🐶)(huān )快(kuài )的童(🔦)年(🍯)時光，毅(yì )然(🕦)買(🏫)下大象，卻發(fā(🈺) )現都市生活容(😹)(róng )不下他倆，打(🔋)算(suàn )和(hé )老象(🥥)一(🤫)路向北返(fǎ(🤖)n )鄉。這趟人與象(🍣)(xiàng )的(de )公路之旅，途(tú )中狀況不斷，所(suǒ )幸(xìng )萬能(🕕)的象鼻領(lǐng )著(🛹)(zhe )他(😐)倆，與沿路風(💎)(fē(🚟)ng )景相伴。《爸媽(🦁)(mā(👖) )不(bú )在家》導演(🏿)陳(chén )哲(zhé )藝監(😛)製，阿比(bǐ )查(chá(🥀) )邦御用剪接操(📁)刀(🥪)(dāo )，看擅長冷(🍔)幽(🔔)默的(de )才女導(👫)演(🔩)陳敬(jìng )音(yī(👙)n )，用(🧡)象鼻對抗(kà(🦎)ng )中(🤜)(zhōng )年危機！將泰(😏)國(guó )鄉下的荒(👍)涼風景，轉變成(🎬)一首洋(yáng )溢著(♌)淡(🎶)淡霓虹光(guā(🈳)ng )芒(máng )的自我蛻變之歌(gē )。

2017“CCTV网络春晚”将(jiāng )现代人的互联(lián )网新(👴)生活搬上了(le )荧(➿)(yí(🅿)ng )屏，并借助高(🎫)(gā(🏄)o )新(xīn )科技应用(❄)“连接(jiē )”台前幕(🔌)后、线(xiàn )上线(🔵)下的所有人(ré(🧦)n )群(qún )，为观众“送(🚠)(sò(🥚)ng )年(nián )货，送祝(🍫)福(🎁)”。在舞台设计(💢)上(🏹)，多(duō )部手机(🌓)屏(🕍)成就(jiù )了(le )舞台(🏕)大屏的炫(xuàn )目(🌒)(mù )感觉，360度全景(🎺)视(shì )觉空间体(🔓)系完成了(le )最广(⚾)阔(🦋)的视觉(jiào )效(➿)果；在节目环(huán )节(jiē )上，网络春晚开(kāi )启了“实时欢唱”的直播(🚋)互动环(huán )节，歌(💍)手(✌)大张伟(wěi )通(🛳)(tō(🍓)ng )过云视频技术(💼)(shù )与(yǔ )杭州东(🌮)站的旅客(kè )直(🏨)(zhí )播连线，明星(😅)(xīng )通过直播技(👢)术(🚥)实(shí )现(xiàn )了(🤝)与(🏕)粉丝的实(shí(🧢) )时(📳)(shí )互动。

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.

怪談(🔒)25周(🎒)年(nián )を迎えた(✋)稲川淳二(èr )の(🦏)最高傑作がこ(🌋)こに！！

1891年，后(hòu )印(🍺)象派大师保罗(🗓)(luó(😰) )·高更在巴(💙)黎的艺(yì )术圈已小有名(míng )气，但为文明社(shè )会(huì )的虚伪与矫(🖼)情感(gǎn )到厌烦(🎃)。对(⌛)于原始(shǐ )世(🧦)界(🅰)的渴望驱(qū )使(🚎)他离开家中妻(📢)(qī )小(xiǎo )，来到南(👨)太平洋(yáng )的大(😤)溪地；准备(bè(👒)i )好(💦)(hǎo )为追寻已(🏪)久(🌛)的(de )自然、野(😡)性(🏢)、纯(chún )粹(cuì(🕒) )的(🌿)生活与创作(zuò(😹) )环(huán )境牺牲一(🛺)切。忍(rěn )受着经(⤵)济上的贫困(kù(🍦)n )和精神上的孤(🚘)(gū(🚯) )寂(jì )，高更走(💍)进丛(cóng )林(lín )深处，认识了当(dāng )地的毛利人，邂逅(hòu )了原住民女(♋)孩(hái )德胡拉；(🌽)一(📚)段三(sān )角(jiǎ(🔌)o )关(💚)係也若隐若现(🦉)(xiàn )地缓缓浮出(🚠)。这座(zuò )远方岛(🍳)屿彷佛(fó )是他(💷)灵魂的故土(tǔ(🐉) )，此(🎋)处充满生命(🌁)力(🗡)(lì )的人物面(📕)貌(🎺)与地(dì )景(jǐ(🌹)ng )线(💵)条都成为他(tā(🕷) )的缪思，激发他(😦)(tā )创(chuàng )作出艺(🌗)术生涯(yá )中(zhō(♎)ng )最具标志性的(📃)大(dà )师之作。

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In the year 1920, when India's freedom movement was gaining momentum, one man firmly believed that the Britishers were not as bad as they were being made out to be.

安吉丽娜(🍹)·(🚳)朱(zhū )莉通过Netflix宣(🎗)布，她将(jiāng )执导(🚛)该公司出(chū )品(😙)的全新电影作(🍡)(zuò )品(pǐn )《First They Killed My Father》。影片聚(🛴)焦(🏧)(jiāo )红色高棉(😫)政(🌯)权时期(qī )的(🗃)柬(📒)埔寨，其(qí )养(🖋)子(😬)马多克斯将(jiā(💒)ng )出(chū )演。

本片来(🌆)自新(xīn )片场创(🎖)作人吴晋(jìn )超(🔞)(chāo )，他担任这部(♟)(bù )影片的导演(👏)、编(biān )剧(jù )、美术以及剪(jiǎn )辑(jí )。出品方为BITONE。