成长中父(fù )母(📍)也在(zà(⚽)i )日渐(jià(🐥)n )变老，我们会把这(zhè(☝) )样或那(🦐)(nà )样的(👉)无奈当(👠)做借(jiè(🌵) )口，而(ér )忽视他们的心理或(🔭)(huò )身体(🎼)的(de )健康(🔛)状况，当(🆖)问题严重(chóng )时我们(men )又会悔(✍)恨自己(🌕)的(de )冷漠(🌱)和(hé )粗(📜)心，孩子和父母(mǔ )之间永(yǒ(🤽)ng )远存在(🚍)一种不(🐧)公平，而(ér )这种(🌏)不(bú )公平却又以(yǐ(🏊) )一种(zhǒ(🌧)ng )不协调(🍈)(diào )的姿势，却又(🐼)很和(hé )谐的存(cún )在(🔥)着………

When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.

贤真(🚒)(zhēn )搬进(🚲)了(le )破旧(🗣)不(bú )堪的小镇公(gō(🦔)ng )寓，由(yó(〰)u )于隔(gé(🉑) )壁邻居(🦁)的吵闹(🤭)声，睡不着(zhe )觉。但是公寓管(guǎ(➡)n )理员告(😦)(gào )诉贤(🖋)真，整栋(🔖)大楼(lóu )并无其(qí )他租客。怪(🐻)事接二(🙈)连三(sā(🎰)n )而来，所(🚊)有的一切似乎(hū )都指向(xià(⏺)ng )了叫珠(📒)熙的神(🎴)秘女(nǚ )子。

《寺岛(🌭)》：刚刚拿到第一(yī(⤴) )个连载(🚦)(zǎi )的漫(🚡)画家山(shān )崎（(📣)峯田和(hé )伸 饰），因(💻)为助手(shǒu )突然(🙏)走(zǒu )掉(🗂)而疲于(🏹)奔命。某个下(xià )雨的(🚀)日(rì )子(👠)，自称寺(🚖)(sì )岛的(🍩)女(nǚ )子(🧠)（吉冈里帆 饰）前来(lái )担(🌊)任助(zhù(🏻) )手职务(🕴)。作为创(⏱)(chuàng )作素材(cái )，寺岛向漫画家(🈹)讲(jiǎng )述(♏)了一(yī(🦌) )个可怕的故事。

青年画(huà )家岸春(chū(🥄)n )自小在(🍓)内蒙古(😴)长(zhǎng )大，当(dāng )地(💄)的风土人情造就(jiù(🛤) )了他的(💞)(de )艺术才(🚖)华。然而在他的(🆚)(de )内心一(yī )直有着一(👢)块(kuài )难(🅰)以(yǐ )抚(😋)平的(de )伤(📿)痕，过早(🥈)缺失的(de )母爱让(ràng )这(🎇)位人前(🔬)光鲜的(💱)(de )艺术家(🧥)(jiā )在情(🔓)感(gǎn )里陷入迷失(shī )，常以(yǐ(💕) )酒精(jī(♿)ng )为伴麻(💑)醉自我(🍋)。当(dāng )受一位(wèi )蒙古老人所(😱)托，为他(⚽)英(yīng )年(🗜)早逝的母亲画一(yī )幅肖像(xiàng )，这个(🚐)母亲的(💥)肖像却(🤸)怎(zěn )么都画(huà(🤐) )不出神。对于母(mǔ )爱(😫)缺少(shǎ(❗)o )感触与(📱)理解，成了(le )他无(🍭)法(fǎ )落笔的难题。心(⛷)烦意乱(🏘)(luàn )之时(🍠)，岸春遇(🔲)到了(le )单(💣)身(shēn )妈妈如(rú )西，如(🐸)西和儿(🎂)子的(de )温(♉)情不(bú(🎖) )仅让他(👸)感受到母爱的温(wēn )暖也让(😡)(ràng )他找(🎖)寻到了(😰)(le )爱情的(🈴)(de )味道(dào )。但是，母亲到底(dǐ )为(🎞)什么(me )会(🏟)从小抛(👎)弃自己(jǐ )，在日(rì )日夜夜的叩问中(🎁)，也在如(🥫)(rú )西的(🚖)介入下，似乎有(🐿)了(le )意想不(bú )到的答(🧚)案，岸春(🐕)(chūn )也踏(🚅)上(shàng )寻母之路(🚟)。母亲的(de )肖像到(dào )底(🌁)能否兑(🌫)现给蒙(💺)古老人(🐍)(rén )的期(😄)盼(pàn )？岁月里母(mǔ(🎴) )爱的(de )真(💂)相会(huì(🔙) )怎样揭(🥑)开？原(✂)来，岸春的(de )母亲一直以一个(📹)特殊的(🍮)(de )身份出(🍡)(chū )现在(🌮)他的生(shēng )活里！面对(duì )时间(🦒)、面对(🥋)生命的(🛅)(de )脆弱多(duō )变，只想向岁月(yuè )祈求，时(😬)光你(nǐ(🕐) )慢些走(⬜)，让(ràng )儿子还(há(🎥)i )能记下母亲的容颜(✊)......

A frame that says, 'Drink makgeolli (rice wine) here and the one you miss will return' is hung on the wall of a tavern titled The Return. The tavern's regulars miss their lost ones.

婚礼(lǐ(🙄) )策划师(🖨)(shī )露西回国策(🐿)划一(yī )场英国(guó )王(🆘)室的婚(🤮)礼，而发(✨)(fā )生的(⛽)一(yī )连(🚓)串的趣事，从而收获(huò )了属(😛)于(yú )自(😅)己的爱(🤟)情(qíng )。

由(💶)(yóu )于Sara处在(zài )不可思议的行(🔑)为的(de )风(🧟)口浪(là(🕴)ng )尖，一个(🏍)无法预料和尴(gān )尬的遭(zā(🅰)o )遇使她(🦋)有机(jī(🐧) )会目睹她的(de )破坏行为的潜在后(hò(🏉)u )果。 但(dà(🐒)n )这是第(🐜)二次机会(huì )还(🗯)是承(chéng )认有罪(zuì )？(🎨)