在(zài )贝(📵)鲁(lǔ )特(➗)一(📇)(yī )个街角的(de )咖啡店二楼，有(yǒu )一(🏑)面(miàn )大(🥌)大(🔼)的转角窗和一台电视机，一位(wè(🍨)i )78岁的退(🕯)伍(😬)将军和一位(wèi )81岁的退伍(wǔ )军医(🚮)(yī )每天(🐺)早(🥀)上(😰)都会在这里(lǐ )碰面(miàn )，看着街(🧓)(jiē )角车(🖨)来(🚂)人(🐳)往，做(zuò )着填(tián )字游戏，以此(cǐ )对抗阿(🕠)茨(🛥)海(🛹)默综(zō(🚒)ng )合症(zhèng )。伴随两位老人的玩(wá(😽)n )笑(🔱)和字谜(🤪)(mí(✋) )，咖(kā )啡馆的顾客纷纷登场(chǎng )。本(🛹)片用(yò(🌪)ng )发(⚽)生(shēng )在一个社会小角(jiǎo )落16天(tiā(🔣)n )之内的(🕤)一(👀)系列(liè )事件，四两拨千(qiān )斤地(dì(🕙) )讨论了(🗜)人(🚟)生、政治、历史等话(huà )题；通(🥗)过单场(🏌)景(🔋)多(🥙)幕剧的(de )结构让人(rén )感受(shòu )到(🌂)老人们(😈)的(👻)孤(🥦)独，以(yǐ )及疾(jí )病带来的(de )苦涩，同时映(♉)射(🦏)(shè(✔) )出黎(lí(⚓) )巴嫩暴力事件(jiàn )肆虐的现状(🚙)。以(🍌)(yǐ )小见(🏔)(jià(👞)n )大，令人回味。

When a Foster Home is stricken by tragedy the few remaining children make a pact to always keep in touch.

４K/8Kの高解像度(dù )に(🔍)よる大(🎪)型(📍)映像をはじめ、CMやPV、テレビ番(⏸)組、さ(🚰)ら(🌯)にはwebクリエイティヴ・デザイ(🚖)ンやグ(🍎)ラ(💖)フィック方面でも活躍するIMAGICAイ(🉐)メージ(🏋)ワ(🌧)ー(🧝)クスと、『ALWAYS三丁目(mù )の夕日(🐟)』シリ(👢)ー(🤲)ズ(💁)や『永遠の０』などの大ヒット作(🥘)で(🕎)知(🐵)られる(🍃)映像(xiàng )制作集団ROBOTがタッグを(📛)組(🍽)んで、(🎬)子(🧦)どものころに見た夢を失いな(🥓)がら大(😥)(dà(🎺) )人になり、多忙を極(jí )めて久(📥)しい現(💨)(xià(🍋)n )代人の心に、かつてのあの“想(👂)い”を蘇(⛅)ら(🥠)せるSFファンタジー！

《驴为媒》故事(💇)发生(shē(📹)ng )在(🚞)当(〰)(dāng )下鲁西大地上的聊城(chéng )市(🚏)，讲述(shù(🥑) )的(💌)是(🤴)(shì )在京打拼多年的(de )有志(zhì )青年(nián )，得(♏)知(🚔)老(🕎)(lǎo )家惠(👛)民政策后，回乡(xiāng )养驴、带领(🚩)村(⛳)(cūn )民脱(🎉)贫(🦔)致富，实(shí )现自(zì )己创业梦，并赢(🥎)得爱(à(🐔)i )情(㊙)的故事(shì );讲述(shù )了党的精准扶(🚫)贫政策(😌)(cè(📣) )和乡村振(zhèn )兴战(zhàn )略在齐鲁大(🛌)地的(de )生(🔂)动(🌊)(dòng )实践，展现了(le )基层党员干部在(🎌)(zài )全面(📂)(mià(👊)n )建(👍)成小康社会进程中的“主心(xī(🛁)n )骨”形象(🎩)。电(📧)影(🎇)《驴为媒(méi )》坚持“小成(chéng )本、大情怀、(🗼)正(🔭)(zhè(🐡)ng )能量(lià(🎡)ng )”的(de )创作宗旨(zhǐ )，紧扣当前乡村(🥙)(cū(🍑)n )振兴(xì(〽)ng )和(💭)精准扶贫主(zhǔ )题，将社会效益(yì(🚡) )、价(jià(🐫) )值(👰)引领放在首位，引(yǐn )导人们努(nǔ(🐜) )力实(shí(🎤) )现(🕳)个人前途与国家命(mìng )运、个体(💢)(tǐ )经历(📥)(lì(🐔) )与时代大潮、个(gè )体情(qíng )感与(🍿)国家情(🎙)感(✅)(gǎ(🥏)n )的同频共振，激(jī )励人(rén )们向上向善(📵)，自(🥛)觉(🏳)践行社会主(zhǔ )义核(hé )心价值观，讴歌(🍐)党(🦃)、讴歌(🍊)人(🙍)民(mín )、讴(ōu )歌新时代。

Seven snowboarders trek deep into the Cascade Mountains and become desperately lost as they are hunted by a school shooter.

It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.