54岁的(🎖)(de )凉子（中山(shān )美(💏)穗(suì ) 饰）是(shì )一(⛰)名(míng )小说家，一(yī(👬) )天，她突然(rán )被医(😋)生诊断(duàn )患上了(📢)阿兹海默症，面对(🚧)可(kě(🎺) )怕的病魔，凉(⬜)子决(🐷)定利(lì )用自(🛫)己所(🌙)剩(shèng )不多的时间(🐦)(jiān )，完成她人(rén )生(🐳)中的(⚪)最后(hòu )一部(🔨)(bù )小(🎩)说。在写(xiě )小(😍)说之(🍱)余，凉子在大(🔌)学(xué(👑) )里担任讲师(🧢)(shī )的(🏓)职务，一次下课后(⏹)，凉子(zǐ )和学生们(🐔)来(lái )到居酒屋小(🍇)(xiǎo )聚，在那里(lǐ )邂(🏀)逅了名为(wéi )昌海(📙)（金材(cái )昱 饰(shì(🆚) )）的韩(hán )国留(liú(⚓) )学生。
三个(gè )怀揣(🌡)梦想的(de )年轻人想(🤪)通(tō(🍤)ng )过从缅甸走(👊)私黄(🖼)金来发家致(🚵)(zhì )富(🙄)。但等待(dài )他们的(👼)除了(le )金钱与爱情(🎹)(qíng )还(🅾)有危机重(chó(📗)ng )重的(🍍)陷阱。
英国知(㊗)名舞(📦)(wǔ )台剧(jù )《鬼(👀)故(gù(✂) )事》将被搬上(📙)大(dà(👂) )银幕，新片(piàn )主演(❤)马丁·弗瑞曼、(🔅)乔治·麦凯、安(🚴)迪(dí )·尼曼等。尼(🤙)曼继续出(chū )演他(🍷)在剧中(zhōng )的角色(🚨)古德(dé )曼教授。古(🛵)(gǔ )德曼(màn )是一位(📩)(wèi )心(🎣)理(lǐ )治疗师(🏪)，从(có(🍈)ng )不相信鬼怪(👥)(guài )之(👀)说；然而(é(🥟)r )三个(🤒)病人的“见鬼实录(👩)”让(ràng )他对原有信(🌈)(xìn )念(⤵)产生了怀(huá(🐜)i )疑。作(🌸)为最(zuì )受欢(🛬)迎的(🛅)惊(jīng )悚戏剧(⌚)之一(🕣)(yī )，该剧曾在(zài )全(🧣)球(qiú )多地进(jìn )行(🐳)巡(xún )演。
妻子失(shī(💫) )踪，丈夫（孙正宇(💁)）寻(xún )找妻子多(🔍)年，却意外的卷入(🕛)(rù )了一宗刑事(shì(🎡) )案件，孙在(zài )寻找(🍆)妻子的(de )过程里发(⛲)现(xià(😃)n )了一个贩卖(🚊)(mài )人(🅰)体(tǐ )器官的(🏝)(de )（日(🥐)(rì )本）组织并(bì(🎰)ng )深入调查，自己却(🍏)身陷(xiàn )重围，最后(🥑)协助(🍳)追捕自己的(➖)(de )警官(👡)刘武火(huǒ )击(😰)败犯(🐾)罪分(fèn )子并(🍽)救一(🕴)个(gè )面临死亡的(👺)(de )小女孩儿……
A group of teenagers go for a partying weekend in the woods. Unknown to them the woods they have chosen is home to a legend. The legend of a young girl who was bullied and then committed suicide. Are the woods haunted by a peaceful spirit or a spirit hell bent on destruction? Or is everything not quite what it seems? Watch as our teenagers fight with all their might to survive until morning.
一(🥞)道高大(dà )的围(wé(🛀)i )墙两侧(cè )生活(huó(👳) )着红族与绿(lǜ )族(🤓)两个部落(luò )。一场(🎮)罕见(jiàn )的旱灾使(⛓)绿族的人民陷入(👺)窘(jiǒng )迫的境地，首(🛅)领mu 在(〰)一份(fèn )古老(🚣)竹简(📿)的(de )指引下，不(🚂)(bú )惜(📪)牺牲一切(qiē )代价(🛵)(jià )，与红(hóng )族建(jià(🔅)n )立合作关系(xì )，拯(🛂)救本(🎸)部(bù )落。第二(📃)六(liù(🛅) )五任“mu”在位之(👄)际，绿(㊗)族将遭受巨(⭕)大灾(➕)(zāi )难，唯有借(jiè )助(🗯)红族力量(liàng )，方可(🏝)渡过(guò )难关。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
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