An elderly woman, a war veteran, recalls her experiences as a member of the all-female bombing squad nicknamed 'Nachtexen' (Night Witches) during World War II
初三(🔥)学生(shēng )苏见心(钟书(shū )航饰)因(🚥)一(🌚)(yī(🤹) )个赌注结识了(le )大部(🗃)(bù(🤳) )分男生(shēng )心目中的女生(shēng )周雨(🐿)(yǔ(🏃) )彤(🧣)((😗)崔梓盈饰。,周(zhōu )雨彤(🤳)(tó(🍕)ng )独特的气质和举止让(ràng )苏见(jià(🎵)n )心(🛢)有(🎰)了怦然心动的感(gǎn )觉(✏),正如初恋时的酸奶,永远(yuǎn )都不(💃)会(🙁)过(🔴)期(🎻),纵使这(zhè )份藏(cáng )不(👱)住(🚩)的懵懂(dǒng )情愫难以(yǐ )控制(zhì )。终(💔)于(🌒),苏(🚽)(sū )见心获得(dé )了女(nǚ(😛) )神周雨彤的(de )芳心,展开了(le )了一段或(🦋)甜(👣)(tiá(😣)n )或苦,或淡或(huò )涩的(🚦)爱(🐳)情故(gù )事。
A love triangle gets even more complicated once a time machine enters the picture.
Nine no-budget horror/comedy shorts that explore themes of murder, death, revenge, self-mutilation, stalking, clones, hell, and weird squid babies.
建筑工程(chéng )师迈克尔(🌭)打(📵)(dǎ(🕴) )算(🏐)带着十四年(nián )都未(👗)(wèi )曾联系的儿子路易斯(sī )去挪(nuó(📶) )威(😂)参(🐎)加父亲的葬礼。二人(ré(🐷)n )因此有了一段从未有(yǒu )过的(de )独(🛢)处(🙇)时(🥛)光(👘),迈克尔也(yě )想借(jiè(🌔) )此(📜)机会弥补自己作为(wéi )父亲(qīn )缺(🏚)席(💆)的(📰)十四年。然而(ér ),无(wú )论(🌪)迈克尔怎(zěn )样试图和(hé )儿子(zǐ(㊗) )沟(⛱)通(🍏)都(🦖)无法(fǎ )得到积极的(📇)回(🏼)(huí )应,二人之(zhī )间仿佛有着一(yī(🏾) )堵(🦃)无(🏁)法(🙁)逾越(yuè )的心墙。尽管(✂)(guǎn )这一路上遇(yù )到的种种麻烦(fá(✍)n )让(👅)路(💣)(lù )易斯一直埋怨父亲(💀)的(de )粗心(xīn )大意,迈克尔依然希(xī(📤) )望(🉐)能(⏳)(né(🎲)ng )够推翻彼此间的隔(🚕)阂(👂)(hé )。
時(shí )は安土桃山時代。忍(rěn )び(👉)の(🐾)郷(😃)を抜けた篠(17)は、追(zhuī(📫) )手から逃走する際に2015年にタイ(💄)ム(🕧)ス(🥑)リ(🏽)ップしてしまう。
From the rough streets and back alleys of Central Mumbai comes the sensational true story of Arun Gawli, a man who scripted his own destiny, eventually going on to become one of India's most feared gangsters. Today he remains an enigmatic figure; at once a volatile, power-hungry criminal for some and the respected "Daddy" or a modern day Robin Hood for the working-class neighborhood he belongs
Suchmos于(🥩)2016年(🗼)10月28日在(zài )惠比寿LIQUIDROOM的演出(chū )。收录(💁)于(🍞)二(🖌)(èr )专THE KIDS的DVD中。
The uncensored extended version of Don't Love Me - boys feature film with Alex Kelly and Alexander Scott.
Since early childhood, Björn has secretly carried an insurmountable fear. When his father dies of old age, he and his four sisters are each left with a video message, that makes him question everything. Director Johan Löfstedt’s extended family play themselves in a heartfelt and unconventional film about life, death and the courage to change