《四个春(🥈)天》是一(yī )部以真实家(🕑)(jiā )庭生活(🌾)为背景的纪录(lù )片(🎆)。15岁离家(jiā(🏫) )，在异乡漂泊(💍)多年的(🚻)导演(yǎn )以(💩)自(🍞)己(jǐ )南方(🗨)小城里的父母为主角(jiǎo )，在四(🍰)(sì )年光阴(😵)里，以(yǐ )一己之力记(🔥)(jì )录了他(🆔)(tā(🚎) )们的美丽(📩)日(rì )常(👴)(cháng )。在如诗的(⛰)(de )乐活慢(mà(🙂)n )生活图景中，影像缓缓雕(diāo )刻(🐔)出一(yī )个(⏪)幸福家庭近(🍊)(jìn )二十(👻)年的温(wē(🎓)n )柔(➕)变迁(qiān )，以(🎫)及他们(🛒)如(rú )何以自己的(de )方式(🔌)面对流转(✖)的时间(jiān )、人生的(📽)得(dé )失起(❌)落。
建筑工程(🧟)师(shī )迈(🤓)克(kè )尔打(📑)算(🖤)(suàn )带着十(⌚)四年都未曾联系的(de )儿子路(lù(🍼) )易斯去挪(🐅)威参加父亲的葬(zà(🗄)ng )礼。二(èr )人(🌬)因(🕯)此有了一(🏤)(yī )段从(🏄)未有过(guò )的(✝)独处(chù )时(⏺)光，迈克(kè )尔(ěr )也想借此机(jī(🏻) )会弥补(bǔ(🤘) )自己作为父(👦)亲(qīn )缺(🥊)席的十四(⛄)(sì(🎳) )年。然(rán )而(🦃)，无论迈(🔓)克(kè )尔怎样试图(tú )和(👔)儿子(zǐ )沟(🤕)通都无法得(dé )到积(😞)极的回(huí(🦓) )应，二人之间(🤠)仿佛有(🎱)(yǒu )着一堵(📊)无(🍏)法(fǎ )逾越(🏃)的心墙。尽管这(zhè )一路(lù )上遇(🧡)到(dào )的种(🚬)种麻烦让路易斯(sī(✒) )一直(zhí )埋(🏇)怨(😸)父(fù )亲的(🗡)粗心大(🈳)意，迈克尔依(yī )然希望(🍗)(wàng )能够推翻彼此(cǐ )间的隔阂(🔈)。
Site 13 is a psychological horror film in the vein of HP Lovecraft. It is the story of a man who awakens from a 10 year catatonic state in a mental institution. What happened? How did he get there? And what horrible thing from his past is coming for him?
年輕媽(mā(⛽) )媽凱西為了(⛽)(le )逃(táo )離(🎃)家暴的陰(👄)(yī(🔭)n )影，帶(dài )著(🏢)三個小孩住(zhù )進了一幢舊(jiù(🌉) )屋。原(yuán )本(🚓)以為這會是(shì )破碎(🗃)家庭的(de )避(🛵)風港(gǎng )，沒料(📤)到入住(🖼)(zhù )之後，才是(👬)(shì )一連串(🥌)心神不寧的開(kāi )始。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
中年建(jià(🧘)n )築師遇上(🎯)人生瓶頸，在家(jiā )被(⤵)老婆(pó )嫌(🎇)棄(😅)，公司小開(🕛)兔死(sǐ(💄) )狗烹(pēng )。失業(yè )的他在(🖼)曼谷街頭(🔗)驀然回首(shǒu )，瞥見(jià(💴)n )大象Pop Aye，憶起(💜)歡(huān )快的童(🈂)年時(shí(💚) )光，毅(yì )然(📒)買(📸)下大象(xià(✴)ng )，卻發現都市(shì )生活容(róng )不下(🌈)他倆，打(dǎ(⌚) )算和老象一(yī )路向(⚾)北(běi )返鄉(🕳)。這趟人(rén )與(🎧)象的公(🥐)路(lù )之旅，途(🏡)中狀況不(🎶)斷(duàn )，所幸萬能(néng )的象鼻領著(🎖)他倆，與(yǔ(🧡) )沿路風景相(xiàng )伴。《爸(🔅)媽不在家(💴)》導(🎰)演(yǎn )陳哲(🐛)藝(yì )監(🌗)製，阿比查邦御用(yòng )剪(👹)接(jiē )操刀(🕸)，看擅長冷幽默的才(⬛)女導演(yǎ(🈵)n )陳敬音(yīn )，用(🎑)象鼻對(🏭)抗(kàng )中年(🚷)危(🏗)機！將泰國(🥏)(guó )鄉下的荒涼(liáng )風(fēng )景，轉變(⭐)成(chéng )一首(🈯)洋(yáng )溢著淡淡霓虹(🛺)(hóng )光芒的(🎟)自我(wǒ )蛻變(🎦)之(zhī )歌(😣)。
一场矛盾(dù(👫)n )重重的斗(🔹)羊(yáng )大赛，一次心机四伏(fú )的(💄)厨艺比拼(🏈)(pīn )，到底由谁来决定(🤹)黑(hēi )山羊(📔)的(🌴)命运(yùn )？(😺)
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