两伊(yī )战(🚝)争的(de )最后日(rì )子里(lǐ )，阿尔(ěr )玛营在(zài )阿布格雷布(bù(🕠) )海峡的(de )抵抗(🉑)

一个大(📐)(dà )规(😚)模的(de )入侵行(🏍)动发(fā )生，让(😖)(ràng )地(🧝)球几乎(🧒)全(quá(💱)n )灭，幸(xì(😄)ng )存的(🎏)这一家(jiā )人(📄)过着安静无声的(de )生活，一发出声音(yīn )就会被怪物抓走(🐡)。《寂静之地》中(📱)的(de )家庭(🍌)必(bì(🤑) )须时时保持(♿)安静，这一家(🧒)人必须搞清(🌾)(qīng )楚(🕍)哪些声(🈹)音可(➿)以发(fā(🔬) )出，哪(🤬)些不行。父(fù(💣) )亲铺了沙子(zǐ )路来消(xiāo )音，全(quán )家人(rén )必须使(shǐ )用手(🐯)语(yǔ )，还有用(😓)来(lái )沟(🕙)通的(🌈)(de )照明系统…(😮)等，才(cái )能避(🍮)免可(🕘)怕(pà )的(🎮)事情(🚕)(qíng )发生(🦃)，因为(💘)(wéi )猎杀他(tā(⬆) )们的怪物无(wú )所不在，这是真正(zhèng )的挑战，他们必须(xū(🍜) )克服生死难(🍮)关，想(xiǎ(🍏)ng )尽办(🐩)法活下去。

The film is about the early years of famed children’(👽)s author Astrid Lindgren (Pippi Longstocking) when she experienced something that was a “combination of both miracle and calamity that came to shape her entire life.”

“拿摩一等”来(🌼)自英(yīng )语“No. 1”的(📩)译音(🍁)，在(zài )上(🎻)海及(⤵)江南方(🧀)言中(🚘)(zhōng )有“潮、时尚、最(zuì )好”的意思(sī )，而电(diàn )影《拿(ná )摩一(yī )等》则(zé )讲(🐃)述了(le )两(🕢)个(gè(🍅) )相爱的(🕌)(de )青年(🕦)在(zài )即将进(💛)入婚(hūn )姻殿(🌛)堂(tá(👅)ng )时因城(🐩)市生(🙅)(shēng )活压(🛷)力(lì(🔡) )而产生焦虑(🔽)(lǜ )和恐惧(jù )，在回归小(xiǎo )城镇生活后开始反(fǎn )思生活(🛀)和感情的故(🦆)(gù )事。杨(🌗)玏在(⛰)片中饰(shì )演(🛥)一个在上海(😚)打拼(pīn )多年(📐)的(de )小(🕶)白领肖(🎷)声，与(🤞)东(dōng )北(💻)女孩(💴)顾真真（邱(qiū )林饰）爱情长跑多(duō )年，但随着婚姻的(de )到来生活压(💬)(yā )力突(🏉)增(zē(🦐)ng )而选择(🕜)(zé )了(🍇)返(fǎn )回老家(🥉)(jiā )来短暂(zà(😯)n )逃避(🚱)(bì )。从都(🍳)(dōu )市(🆖)回归(guī(📔) )到家(🥈)乡小镇(zhèn )的(🅿)肖声(shēng )看到外公（徐才根(gēn )饰）外婆（归亚蕾(lěi )饰(🚍)）的真挚(zhì(🔒) )感情，开(🥩)始反(👘)思自(zì )己的(🌵)生活和感情(🤚)。

《深夜中的SUPERCAR》是(🔂)一(yī(🎬) )部关于(🤟)汽车(💰)梦想的(🐝)(de )幻想(👉)剧(jù )，故事舞台设定在(zài )日本爱知县长久手(shǒu )市，女主白雪（山(shā(👸)n )本美月(🍜) 饰 ）(💬)是一位(🦐)(wèi )汽(⏳)车设计师(shī(👗) )，她很(hěn )憧憬(⛵)日(rì(🏽) )本国(guó(🌗) )产车(🔣)史(shǐ )上(👱)最高(🥡)(gāo )杰作(zuò )“NAGOYA 2000GT”，期(📶)待自(zì )己也能设计(jì )出那样(yàng )的车，可是(shì )她突然(rá(📸)n )被调到汽车(🎦)(chē )开发(🔏)团(tuá(🔳)n )队工作，在(zà(📤)i )她访问展示(🐆)2000GT的博物(wù )馆(🍉)时，遇(⛑)到了企(⏯)图(tú(🚁) )偷走2000GT的混血(🏍)男子里(lǐ )卡尔德，还有一个(gè )身穿白(bái )色赛车服套装的神(shén )秘男(📏)子突然(💯)出现(😲)，让整个博物(📻)馆像被(bèi )施(🌐)了魔法一样(👏)，变(bià(⛓)n )成一个(♌)不可(🌨)(kě )思议(💾)的(de )空(🗄)间。

The movie is to combine a film noir-style investigation with an exploration of altered states of consciousness, focusing on the story of 50-year-old Otto Ganz, the owner of a thriving building and civil engineering company that operates worldwide. One day he has to travel to North Africa to deal with some urgent issues and there, Ganz is confronted with memories of his youth, which he had tried to forget for many years.