林可馨(xīn )，杂志(🎌)(zhì )社白(🎷)领(lǐng )，正(♐)打(dǎ(🚷) )算从繁忙(má(🗻)ng )工作中(🈚)回归(guī(🌘) )家庭生(shēng )活之时(👉)(shí )，却遭(🏅)(zāo )遇婚(🐿)姻与事业双重麻烦，丈(zhà(🛑)ng )夫与其(🔷)(qí )他女性(xìng )的暧昧(mèi )、(🗂)上司的(🏴)自由观灌输、暖男(nán )作(🚀)家秦(qí(🐶)n )皓的闯(🌾)(chuǎng )入，稳(wěn )定的生(🦁)活受到(👿)各种抉(🦎)择，经(jīng )历各(🎌)种(zhǒ(🧕)ng )打击之(⛹)(zhī )后，柔(🕷)(róu )弱的林可馨选择了勇(🏁)敢面对(🥕)(duì )。

辉煌(huáng )的吉檀(tán )迦利(💬)家(jiā )族(🛋)只剩下(🤮)公主(😘)一个人，当了(🚼)(le )“女王(wá(🦅)ng )”的她(tā(➕) )与权力(lì )至上的(🙎)政(zhèng )客(🈳)发生矛(🔪)盾(dùn )，不知(zhī )道如何(hé )面(🔀)对以(yǐ(🛐) )后的种种问题。还好先王(⏸)最(zuì )信(🔷)任的(de )贴身保(bǎo )镖巴瓦(wǎ(🍙) )尼在女(📒)王左右(👄)协助她打理一(yī(🏐) )切，慢(mà(🔅)n )慢的女(💁)(nǚ )王与忠(zhōng )诚的(📻)巴瓦尼(🥕)走得越(🏪)来越近。

A frame that says, 'Drink makgeolli (rice wine) here and the one you miss will return' is hung on the wall of a tavern titled The Return. The tavern's regulars miss their lost ones.

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.

郑思杰(jié )监制，卢(🍧)炜麟(lí(⛑)n )执导的《今晚打僵尸》则是(👂)(shì )港味(🥪)十(shí )足(⬜)的喜(xǐ )剧，将(jiāng )主(🗽)攻香港(🥙)本土市(🚫)场，不会在(zài )内地(🗄)公(gōng )映(🏛)。由(yóu )白(🔻)只、张继聪主演的《今晚(🎬)(wǎn )打僵(🎟)尸(shī )》则是(shì )一部惊(jīng )悚(🐯)题材的(🏊)喜剧，该片根据余(yú )咏良(🏥)的(de )畅销(🤗)小(xiǎo )说(🆖)改编(biān )而成。

泰国(🔌)边境，1997年(🌻)。

贤真(zhē(🕷)n )搬进了(le )破旧不(bú )堪的小(🚟)(xiǎo )镇公(🈂)寓，由于隔壁邻居的吵(chǎ(🏜)o )闹声，睡(🐟)不着(zhe )觉。但(dàn )是公寓管理(⏬)员告诉(♊)贤真，整(🐺)(zhěng )栋大楼(lóu )并无(🏚)其(qí )他(🥌)租客(kè(❔) )。怪事接二连三而(🤔)来，所有(🈶)(yǒu )的一(🌔)切(qiē )似乎都(dōu )指向了(le )叫(🈲)珠熙的(🙃)神秘女子。

The uncensored extended version of Don't Love Me - boys feature film with Alex Kelly and Alexander Scott.

A newly reunited young couple's drive through the Pacific Northwest turns into a nightmare as they are forced to face nature, unsavory locals, and a monstrous creature, known to the Native Americans as Oh-Mah.