A young couple picks the wrong hideout while trying to elude the police.

东国公主(🎟)(zhǔ )五鹿飞凰(🎖)(huáng )，为报杀(shā(👩) )父亡国之仇(🏥)，入宫接近北(🔕)耀国王炎漠(💃)，却被炎漠生(💘)(shēng )死(🗑)兄弟离(lí )山(🤤)识破。飞凰设(➿)计(jì )让炎漠(👋)爱(ài )上自己(✉)并(bìng )离间炎漠(mò(🆚) )离山，导(dǎo )致(🛴)离山受(shòu )刑(🚂)。后离(lí )山找(🤤)炎漠(mò )寻死(🎓)，离(lí )山被杀(🏥)。炎漠得知(zhī(🌖) )真相后挥(huī )刀自(🌍)尽，飞凰登基(❄)称(chēng )王。

Six individuals end up in a Hotel in the middle of nowhere with a very eccentric caretaker. They haven't arrived by accident. Age old, evil powers are within the hotel and behind the walls a deep dark secret hides. They have to survive the night but not everyone is whom they seem.

Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.

在社(♌)(shè )会主义道(🐺)(dào )路上，中(zhō(🕝)ng )国公(🔩)路的(de )发展和(🈷)人(rén )民命运(🎊)紧(jǐn )密相连(🔊)的(de )。《大路(lù )朝(🔉)天》以(yǐ )四川(🗞)公路建设为(💚)切口，以成雅(🔟)高速(❣)、雅西高速(💫)、雅(yǎ )康高(👛)速建(jiàn )设为(👸)题材(cái )，通过(🛥)讲(jiǎng )述祖孙三(sā(🌰)n )代路桥工(gō(🌔)ng )人伴随改(gǎ(♌)i )革开放40年(niá(🐪)n )经历的命(mì(💝)ng )运和情感(gǎ(🙂)n )故事，折(shé )射(🛐)出时代(dài )发展与(🖥)变(biàn )迁。

《特(tè(🌎) )种保镖2》以丛(🐯)林中无人区(😔)的兵(bīng )工厂(📳)为故(😙)(gù )事展开的(🍒)(de )据点，讲(jiǎng )述(👫)了佣兵(bīng )小(🦏)队因任(rèn )务(📛)要求前(qián )往(🧚)荒无人(rén )烟(🐗)、危险(xiǎn )重(🔆)重的(🌩)工厂，竟遭遇(🍩)刀枪不入的(🎆)“不死军队”的(🛳)包围，全员(yuá(🖥)n )陷入危机(jī )仍浴(👈)血奋(fèn )战的(👫)故事(shì )...

四名(🎇)大学(xué )生在(🔰)暑假(jiǎ )进行(🔃)社会(huì )实践(😙)，到(dào )偏远的(🌲)村(cūn )庄拍摄纪(jì(👒) )录片，调(diào )查(🥑)民间鬼(guǐ )怪(📗)文化。

An elegant dinner, which takes place in real time, brings together a group of intellectuals in the early 90s in São Paulo, Brazil: the hosts are the editor of the country's top news magazine and her husband, the company's lawyer,...

藝術(📎)家(jiā )自古皆(✌)寂(jì(🚍) )寞或許是境(🌠)(jìng )界，人到(dà(🗿)o )中年萬事(shì(🏁) )憂則是現(xià(🎽)n )實。在畫(huà )室(🏿)洋洋灑(sǎ )灑(👨)呈現自(zì )由(🕘)雄風(📧)的(de )裸男畫作(🚭)(zuò )令他一舉(💊)(jǔ )成名，在家(📈)面對前妻懷(🐆)着新歡骨肉、與(😨)女兒相處尷(🤳)尬卻令他(tā(🛎) )一籌莫展(zhǎ(🗳)n )。貝蒙特(tè )的(🏤)寂寞，在於如(🐳)何(hé )在著名(🧗)畫(huà )家與單親(qī(👺)n )爸爸雙重(chó(😕)ng )身份、藝(yì(🌚) )術創作與(yǔ(🍣) )家庭生活(huó(🐷) )之間(👚)取得(dé )平衡(😌)。維(wéi )羅（《電(🗄)(diàn )影就在街(🏁)(jiē )角》，35 屆）找(🚔)來合作(zuò )多(📣)年的編(biān )劇(🗓)兼美指(zhǐ )好(🧜)友對號(hào )入座，還(😘)(hái )原藝術家(🕷)(jiā )有血有肉(🥚)(ròu )的矛盾本(🤚)(běn )性，在出(chū )世與(🙏)入世的兩難(🕵)外，毋忘點點(🚱)超現實的幽(🀄)默。

一部集悬(🏃)疑、犯罪、(🥔)喜(xǐ )剧三种(🎦)元(yuán )素为载体(tǐ(🤭) )带有推理(lǐ(📬) )色彩的电(dià(📎)n )影，讲述(shù )无(🤬)良律师(shī )、(🌗)婚姻骗(piàn )子、货(🌗)车(chē )司机、(🚚)杀(shā )手雇主(🎡)以(yǐ )及变态(➗)厨(chú )子等几(🥘)个(gè )不同职(🦈)业的小人物(🎏)在(zài )一个国道(dà(⏺)o )饭店里展(zhǎ(🧀)n )开一系列(liè(🆔) )啼笑皆非(fē(🍴)i )的罗生门(mén )生死(🚖)斗。