“我(👧)的(🛢)一(🗣)生(“我(👧)的(🛢)一(🗣)生(👻)中(🍼)只(🛍)害(😔)怕(👜)一(🔰)件(😪)事,就(jiù )是(shì )有(yǒu )一(yī )天(tiān ),黑色会吞没红色。”
In a story told from two different perspectives, Will Bird recounts the events which led to him being in a coma, while his niece Annie recounts her attempt to help to revive him from his coma.
The Focusing Effect is a faux-documentary/horror film about three film students who make a doc about breakups, only to push one of their subjects too far.
黄河晋陕大峡谷的壮(zhuàng )阔(kuò )背(bèi )景(jǐng )中(zhōng ),邵兵姜武分饰一对警察大盗(🎏),江(🔂)湖(🍧)恩(🚕)怨从20年(nián )前计起,又因故人之女再度重逢(féng )。当(dāng )年(nián )的(de )枪声改(🥁)变(🌅)了(🥣)众(♟)人(🙎)的(🦐)命(〽)运(🦌),这(🤱)一(🌖)次(🗒)追(🍶)捕像轮回(huí )中(zhōng )的(de )一(yī )场(chǎng )重(chóng )逢(féng ),“有生以来,侠路相逢,终不(🙄)能(🤭)幸(🌪)免(⛅)”。尘(🥘)封(〽)的(📸)秘(👡)密(🌳)被(🔃)不断牵出,往事(shì )的(de )波(bō )澜(lán )再(zài )次(cì )起伏。巨石壁立,黄河奔流,所见证的罪恶(è )与(yǔ )惩(chéng )罚(fá )、英(yīng )勇与荣誉,是一(🌒)段(😃)荡(💽)气(🕷)回肠、感慨唏嘘的英(yīng )雄故事,也是一段惊心动魄的黄(huáng )河(hé(🧞) )边(🌻)(biā(🖕)n )的(🗝)(de )残(🍜)(cá(🔰)n )酷(🎌)青(🚌)春(👞)......
又(🏽)到(🗞)了(🎋)年末,阿呆和阿瓜像所有人一(yī )样(yàng ),开(kāi )始(shǐ )为(wéi )圣(shèng )诞节及(💤)新(🚝)年(🧕)PARTY做(🏐)准(📘)备(🙅),但(🗜)是(🧀),作(👀)为(🖐)这个世界上(shàng )动手能力最强的小发明家,怎(zěn )么(me )能(néng )跟(gēn )普(pǔ )通(tōng )人一样来装扮自己的院子和房子呢?于是,两(liǎ(😗)ng )个(🌅)(gè(👔) )好(🕜)(hǎo )朋(péng )友(yǒu )开动脑筋,对自己的家展开了不一样的改造(zào ),当然(🖇),他(🛶)们(🎭)也(🍇)没(🅱)有(🍶)忘(✖)记(🎩)帮(🕞)自(🍋)己(🤸)(jǐ(👒) )的(de )好(hǎo )朋(péng )友(yǒu )选一件“最好的礼物”。
在贝鲁特一个街角(jiǎo )的(de )咖(🙏)(kā(⏺) )啡(👍)(fē(🗓)i )店(🕛)(dià(🚍)n )二(💚)(è(🎳)r )楼(🥝)(ló(😦)u ),有一面大大的转角窗和一台电视机,一位(wèi )78岁的退伍将军和一位81岁的退伍(wǔ )军(jun1 )医(yī )每(měi )天(tiān )早(zǎo )上都会在这里碰面(🔜),看(✝)着(💓)街角车来人往,做(zuò )着(zhe )填(tián )字(zì )游(yóu )戏(xì ),以此对抗阿茨海默综(🍣)合(🛒)症(🕡)。伴(🌵)随(🦆)两(🆖)位(😀)老(📣)人(😼)(ré(🌺)n )的(🎮)玩(💣)笑和字谜,咖啡馆的顾客纷(fēn )纷(fēn )登(dēng )场(chǎng )。本片用发生在一个(🌸)社(🤴)会(⏫)小(🎀)角(🎳)落(🦑)16天(🍞)之(🤾)内(🥤)的(❕)一系(xì )列(liè )事(shì )件(jiàn ),四(sì )两拨千斤地讨论了人生、政治、历史等话题;通过单场景多幕剧的结构让人(rén )感(gǎn )受(shò(🏸)u )到(🏃)(dà(🌔)o )老(lǎo )人们的孤独,以及疾病带来的苦涩,同时映射(shè )出(chū )黎(lí )巴(bā(🏫) )嫩(🍐)(nè(💽)n )暴(🛋)(bà(🚏)o )力(😋)事(🛶)件(🍰)肆(🉐)虐(👷)的(🚾)现状。以小见大,令人回味。
不管这导演嗑了什么很纯的,全(quán )部(bù )都(🍊)(dō(💧)u )要(👙)(yà(🐈)o )给(🚅)(gě(🌰)i )你(🥑)来(🧛)一(📉)点!在澳洲这座曾经被称作「无主之(zhī )地(dì )」(Terra Nullius)的(de )大陆,历史以前所未见的观点重新诠释:当《疯狂麦斯》末日场景成(💽)为(🍑)难(😷)民(mín )拘(jū )留(liú )地(dì ),食人羊成为反殖民叛乱份子,《沙漠妖姬》与(yǔ )电(👤)(dià(♟)n )视(🤱)(shì(👋) )剧(❕)(jù(✋) )《请(🆖)(qǐ(🥀)ng )喜(🤵)欢(🏘)我(📟)》有了跨时空的酷儿对话……本片以(yǐ )近似DJ取样混音之拼贴手法(📷),打(✴)开(👒)(kā(🧗)i )了(🥉)(le )虚(🐹)(xū(🐉) )构(🔟)(gò(⛪)u )与(yǔ )史实间的神秘黑洞,大量援引电影名场景与(yǔ )历(lì )史(shǐ )典(diǎn )故(gù ),穿越时空与各种语境,重写、改写、乱写,全面毁(👈)坏(🥤)观(🥉)众的三观!这是一部(bù )政(zhèng )治(zhì )复(fù )仇(chóu )预言,杂揉讽刺喜剧、生(🛀)态(🛂)恐(🙆)怖(🏈)与(🌽)公(😻)路(😳)电(👨)影(🚓)类(🙈)(lè(✳)i )型(xíng ),写(xiě )下(xià )澳(ào )洲国族神话从未被纪录的史诗篇章。
The incredible story of how the Beatles emerged from post war Liverpool and turned music upon its head with their changes from skiffle to rock and roll and the creation of the Mersey Beat sound.
Alex, 43 ans, est dépanneur automobile dans le garage que dirige d'une main de fer sa mère. Un jour, il dépanne une jeune femme et passe la nuit chez elle, mais au petit matin elle a disparu lui laissant sur les bras trois enfants.详情