工厂(🏖)停(tíng )工(🤩)，张(🛎)(zhāng )金(📆)生无处可去，他独自(zì(🛫) )一人在(💰)工厂徘徊，一段(duàn )古怪(🚱)的(de )声音(💨)把(📺)他引(🐔)入另(lìng )一个世(shì )界，那(🏈)里时而(🦃)漫(màn )天(🈂)大雪(xuě )，时而寂静荒凉(🚖)(liáng )，他看(💍)(kàn )到了不同的自己(jǐ(🏁) )。

当医(yī(🐴) )生来敲(🏼)门，健康(kāng )的人都(dōu )成(🎹)(chéng )病人(🤳)，不管小(xiǎo )病还是(shì )重(🔤)(chóng )症，能(👈)够赚钱(🔰)(qián )都是好(hǎo )病人。

故事(🍷)讲述(shù(🌿) )了围绕(rào )著朝鲜时代(🤪)，历(lì )史(📞)中没(mé(🚈)i )有记录的一夜中(zhōng )，国(🐟)王(wáng )护(🥈)卫「名剑手」金浩与(🐽)(yǔ )谋反(🆔)武(🍯)士之(🔪)间惊心动魄(pò )的对决(🌝)(jué )。

When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.

重口(💶)味血腥(🎹)恐(kǒng )怖片。一场入室绑(🐭)架(🐻)迫(pò(👡) )使两位(wèi )少年闯入一(♌)个偏(piā(🤷)n )远的乡(🎯)(xiāng )村宅邸，偷窃顶(dǐng )级(👨)机密(mì(👙) )文件。他们不知(zhī )道的(🤜)是(shì )，那(🕶)所富丽(🤩)堂皇(huáng )的旧宅(zhái )邸(dǐ(🐿) )也是一(😷)群位高(gāo )权重的(de )中年(🦆)人的集(🏣)合地(dì(🏘) )，那些(xiē )中年人穿着尿(🍗)布(bù )，故(👠)意(yì )放纵地陷入护士(🐲)主题的(🤰)(de )性(👜)奇想(🗼)，以便躲避生活(huó )压力(🈹)。或者这(✈)场奇怪(🕤)的(de )集会意(yì )欲通过阴(🐱)险(🍧)的病(🕦)(bìng )态的畸(jī )形的的方(🕺)式为全(🐡)(quán )球经(⛺)济(jì )补充能量…

一位(📥)(wèi )亿万(🌨)富(fù )翁探险家将一艘(📀)(sōu )单人(🦐)潜(qián )水(🐭)(shuǐ )艇带到海洋深(shēn )处(😬)的“午(wǔ(🌑) )夜”地带，寻(xún )找难以(yǐ(♐) )捉摸的(😞)巨型鱿(🧞)鱼(yú )，但发(fā )现了一个(🤨)更小更(❎)(gèng )致命的(de )掠食者。