查理和布希(xī )這(zhè )兩名(🗡)熱(✌)衷(🗾)靈(🖲)異事(shì )件(jiàn )的追鬼狂熱者(zhě )，只要哪(🔢)裡(🛰)鬧(👙)鬼就(jiù )能(néng )見到他們的身影(yǐng )。兩人(⌛)對(🤡)於(🔆)全(🐷)美最凶(xiōng )的靈異地點「悲慘山」公(🥩)路(🏢)深(🔅)感(gǎn )著(zhe )迷，當然不可能輕(qīng )易放過這個(🕎)捕(🥟)(bǔ(🤓) )捉鬼影的難得機會(huì )。而兩人在抵達(🏘)當(🏍)(dā(🔢)ng )地(dì )後，也接連目(mù )睹各種離奇詭異的(💺)(de )超(🦀)(chā(🐳)o )自然現象。

The incredible story of how the Beatles emerged from post war Liverpool and turned music upon its head with their changes from skiffle to rock and roll and the creation of the Mersey Beat sound.

影片(piàn )讲(jiǎng )述青年医生刘(🕡)(liú(🕢) )云(🍕)翔(🧘)因为父亲的被(bèi )杀(shā )从而卷入了一(🤠)起(🌟)(qǐ(📗) )日(rì )军盗抢国宝化(huà )石的阴谋，展示(🤘)了(👺)(le )我(🌸)(wǒ(👴) )北平地下党为保(bǎo )护(hù )民族国宝而(📠)同(🎲)日(🖨)本(běn )侵略者斗智斗(dòu )勇的故事。

都说男(🏝)(ná(📛)n )人(🛅)(rén )一有钱就变坏，女(nǚ )人一变坏就有(🕶)(yǒ(🔔)u )钱(🏭)，这(📠)句话用在张(zhāng )宝(bǎo )文和他的秘书身(🍔)(shē(⛔)n )上(🥟)(shàng )绝对合适。张(zhāng )宝文原本有一个非(💚)(fē(📘)i )常(🛰)(chá(😁)ng )好的前程和家庭(tíng )，但是他却不珍(zhē(🕊)n )惜(👳)，与(⛎)自己的秘书(shū )走(zǒu )到了一起。这一(yī(😁) )段(🎸)(duà(🛁)n )办(🕴)公室的恋情(qíng )导致了张宝文在事(shì(🤩) )业(🤗)(yè(⛄) )上和家庭上彻底(dǐ )破(pò )碎。秘书的贪(tā(⏫)n )婪(♿)最(📩)终落到过街老(lǎo )鼠人人喊打的地步(🐔)(bù(💎) )。当(🍶)张(💛)宝文重新回归(guī )家庭的时候，一个熟(🔅)悉(🎤)的(✖)面孔站(zhàn )在(zài )了门口挡住了他(tā )的(📅)(de )视(✔)线(🔐)。

师(🐅)兄李(lǐ )昆在京剧演出中打(dǎ )起(qǐ )了(🏰)广(🕍)告(🏦)。师弟侯(hóu )广(guǎng )智觉得李昆侮(wǔ )辱了(🧒)戏(⛎)台(🔝)，两(🔴)人话(huà )不(bú )投机分道扬镳。五(wǔ )年后(🔇)李(👢)昆(😘)靠演(yǎn )孙大圣走穴发家。侯(hóu )广智则成(📫)了(🆚)剧(🎲)团(tuán )的(de )孙大圣专业户(hù )。 李昆联系到(🚎)一(🦋)笔(🌪)(bǐ(🎀) )生意但却需要侯广(guǎng )智(zhì )的帮助。侯(🥙)广(🎈)智(➡)答(dá )应李昆来见客(kè )户—马老板。马(🧣)老(♍)(lǎ(🔈)o )板(🍱)(bǎn )最近迷上了一个网(wǎng )红，并准备为(🎴)(wé(🏗)i )她(🏵)排一部《真假美(měi )猴(hóu )王三打白骨精》。因(🔳)为(🗃)这(😙)违反了(le )京剧传统，侯广智(zhì )愤(fèn )然拒(💳)绝(🌙)。李(🛬)昆偷(tōu )了(le )祖师爷的戏服(fú )签了合同，愤(📺)怒(🌔)的(🔸)(de )侯(hóu )广智与李昆再次(cì )决(jué )裂。但当(😂)侯(⛱)广(🚣)(guǎ(🛷)ng )智看到徒弟们竭力(lì )招揽顾客时他(⏺)终(🎛)于(⬇)(yú )同(tóng )意演出。 试演当天(tiān )侯广智潇(😘)洒(👹)上(🐮)(shà(🍆)ng )台，李昆内心对京(jīng )剧(jù )的热忱被侯(👼)广(🐊)智(🕛)唤(huàn )醒，他配合着(zhe )侯广智说出了原汁(zhī(🕸) )原(🤑)(yuá(💷)n )味的戏词。两人(rén )合(hé )演了一版传统(🎾)(tǒ(🕋)ng )的(🗾)《真假美猴王》，这一刻所有人都(dōu )感(gǎn )受(🧝)到(🍏)了(🚱)京剧的(de )魅力。

Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.