Au Ve siècle, la ville d’Aquilée, près de Rome, est mise à sac par le terrible Attila et ses Huns. Odabella, fille du chef de la cité, a échappé au massacre de toute sa famille et tient tête au barbare. Impressionné par sa beauté et son courage, celui-ci lui demande sa main. Mais la jeune femme n’(😇)a qu’(👝)un désir : assouvir sa vengeance. Pendant ce temps, son amoureux Foresto parvient avec d'autres survivants de la ville sur la lagune de la future Venise…
Brij Mohan (36), a hosiery shop owner in a busy Delhi market, desperately wants to change his life. He is fed up of his ball-crusher wife and mounting debts. In order to escape his wretched life, he changes his appearance and adopts a new identity as Amar Sethi, but ends up committing a botched up murder. He runs off with his young girlfriend, hopeful of making a new beginning. Instead, as luck would have it, he finds himself trapped in a web of his own Karma.
Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.
Paraíso Perdido é um clube noturno gerenciado por José (Erasmo Carlos) e movimentado por apresentações musicais de seus herdeiros. O policial Odair (Lee Taylor) se aproxima da famí(🐁)lia ao ser contratado para fazer a seguranç(🏜)a do jovem talento Ímã (Jaloo), neto de José e alvo frequente de homofóbicos, e aos poucos o laço entre o agente e o clã de artistas românticos vai se revelando mais e mais forte - com nós surpreendentes.
A detective and his partner tries to solve a murder case whilst finding themselves stuck in a 1940s, film-noir world.
電影劇情是(🥚)一(🌲)部勵志愛情故(gù )事(🏜),講(😝)述男(nán )女主角(jiǎ(🚁)o )兩(🎒)人因一次(cì(🚵) )交(📵)通意(yì )外,女方失(shī(🤲) )去(✊)記憶,男(nán )方因此(🔬)有(⛅)預知未來(lá(🍍)i )能(🏂)力。吳卓(zhuó )羲表示(🤷)(shì(🤸) ):「我哋呢(ne )套係一(🥩)(yī(⭕) )部愛情至上(shà(🕸)ng ),又好凄美(měi )又浪(⛹)漫(🎇)(màn )嘅愛情片,男女之(🤱)(zhī(♈) )間又唔係牽(qiān )涉床上戲嘅,溫馨(🐡)(xī(📌)n )鏡頭嘅床戲(xì )係有(🥔),都(🚜)要(yào )睇劇本(běn )睇下有冇需(xū )要(📲)攬(🖱)呀(ya )錫呀,其實(shí )情侶(😚)關(🎺)係必須要有嘅,如果(➿)唔(én )係觀眾(🌞)唔(🐐)知(zhī )你係情(qíng )侶。」(💷)
《大(🖱)(dà )漠巾帼(guó )情》由(😗)国(📥)家(jiā )林业和(📭)草(🔥)原(yuán )局、中共榆林(🏨)市委(wěi )宣传部(bù )、(♓)中(📋)(zhōng )共榆阳(yáng )区(🤚)委、榆阳区人民(👰)(mí(😨)n )政府、中共(gòng )榆阳(📍)区(🌭)委宣(xuān )传部联(lián )合摄制,影(yǐng )片(😺)以(🏂)榆(yú )阳区补浪河(hé(🛺) )女(🔑)子民兵治沙连为故事原型,讲述(🤛)了(🚽)治沙(shā )连四十(shí )多(😆)年(💍)来坚持(chí )治沙造(zà(🕍)o )林的感人事(❔)(shì(📐) )迹,治沙连的女兵们(🏹)用(🐋)自己的(de )青春,在毛(🤴)(má(🐒)o )乌素沙(shā )漠(🧖)中(🧘),谱写(xiě )了一曲(qǔ )绿(🚭)色的乐章(zhāng ),讴 歌了(🤯)治(🚮)(zhì )沙连艰苦奋(🌘)斗、自(zì )强不息(🛩)(xī(🚹) )的治(zhì )沙精神(shén ),弘(🚱)扬(🍥)了继往开来(lái )、薪火相传(chuán )的(🔖)革(🛰)命传统(tǒng )。
ユミは夫(🍩)と(🍞)娘の3人暮(mù )らし。近々引っ越(🐨)し(⛎)を考えている。ユミ(📒)は(📆)娘のレイナが時(shí )折うわ言を(🌏)発(🗝)することが、少(shǎ(🐓)o )々(👯)気にかかってい(🏩)た(🍯)。転居の報告(💂)も(🐩)兼ねて友人(rén )ヒロ(🆖)ミと久(jiǔ )々に再(zà(🈂)i )会(🚠)するユミ。話題(💄)はいつしか「あ(👦)の(🐼)日」のことに。「私(🍃)た(🚯)ちが埋めた時、本(běn )当に死ん(✉)で(🐐)たのかな?」。ユミ(🤼)は(😗)「あの日」のことを清算(suàn )す(🎙)べ(⚾)く、サエ、アコに(🌆)も(🤚)再会(huì )を決意し、廃墟のよう(🌖)な(🐕)家に一人で住むサ(⛺)エ(📓)に会いに行く。サ(🗂)エ(🚾)は、見知ら(👚)ぬ(🛃)少女(nǚ )が現(xiàn )れて(🧔)娘(niáng )だと言って聞(👂)か(📡)ず、しばらく(⤴)一緒に暮らして(💳)い(🏜)たが死んだこと、(🐛)そ(📙)して少女(nǚ )は死んだままその(🕧)家(🍇)の3階に寝かされ(🈳)て(🚜)いるということを話し出(chū )す(📠)。(C)「(🐕)黄泉(quán )がえる少女(💜)」(🆖)製作委員会
盘古(gǔ )开天辟地之(📫)(zhī(💏) )时在昆(kūn )仑山丢下(📞)一(🧥)(yī )颗种子(zǐ ),这颗(😴)种(🏻)子(zǐ )吸收天(🎿)地(🥗)之精华结出一颗神(😖)果(guǒ )。传说(shuō )得到(dà(😆)o )神(🐤)果就(jiù )拥有盘(🌠)古之(zhī )力,顿(dùn )时(🏪)三(👟)界之内(nèi )的神魔都(🐐)来(🦓)(lái )争夺,可惜神果让(ràng )一头法(fǎ(🍴) )力(🍖)无边的神(shén )兽看管(📥)着(⛰)…
On the stage, where the premiere of the musical was supposed to take place, the drama broke out ... People went to the feast - cheerful, bright, but turned out to be face to face with death. They, who became hostages, who managed to pass a terrible ordeal, while preserving human dignity and courage - are ordinary people who have become heroes ...