子どもに夢を与え、想(💟)像力をは(🌓)ぐくむ(👲)コンテンツ作(zuò )りをめざ(😸)し(💱)て、キ(🚤)ャラク(🎧)ターアニメーションを中(🤐)心(🙈)(xīn )にデ(🌡)ジタル(💖)絵本やARといったアプリな(🗃)ど(🔣)を通し(🥝)て、エンタメから知育まで幅広(🚣)(guǎ(🍆)ng )く活動(🧓)(dòng )しているスタジオなな(🎰)ほしが(🥦)、(🚀)ジャン(🛄)ルやメディアを問わず、(⛅)ものづ(🧖)く(🧓)りを手(😧)掛けるウサギ王と制作。ど(🚅)この家に(🥀)もある(🤦)縁起物(wù )たちと、彼らが(🥤)動(👹)くさま(🏆)を見た(🦆)子(zǐ )どもたちとの交流(liú(👽) )を(🤩)、躍(yuè(🏊) )動感い(📳)っぱいに描いたドタバタ(🎮)コ(👿)メディ(😄)！

Risking their life, they climb on narrow mountain paths every day, carrying 40 kg of goods on their back. Every mistaken step may chance upon a landmine. They are hunted like wild animals. And in the name of what? To earn just 10 dollars a day!?

Siblings torn apart by the hazards of life meet in Spain to settle the family's modest inheritance. Gustave, the mover, on the brink of bankruptcy, Jules the anarchistic activist, and Lou, the youngest, lost between her brothers, yearning for the unknown. Each one has a different outlook on life and their personal projects for this inheritance will reawaken family disagreements and phantoms of the past.

Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.

《驴为媒》故事发生在当下(xià )鲁西大(✊)(dà(🏿) )地上的(🔄)(de )聊城市(shì )，讲述(shù )的是在(zà(🕤)i )京打拼(🤪)(pī(🤗)n )多年的(📀)(de )有志(zhì )青(qīng )年，得知老(lǎo )家(💮)惠民(mí(💚)n )政(🚲)策后，回(🔽)乡养驴、带领村民脱贫致(🤜)富，实现自(🔺)己创业(📝)梦，并赢得爱情(qíng )的故事(shì(🌓) );讲(🔕)述了(le )党(🐙)的精(jī(🙎)ng )准扶贫(pín )政策和(hé )乡村振(🕖)(zhè(🗼)n )兴战略(🐐)(luè )在齐(🗂)(qí )鲁大地(dì )的生动(dòng )实践(😝)，展(🔔)现了基(🍨)层党员干部在全面建成小康社会(📧)进(😠)程中的(🍃)“主心骨”形(xíng )象。电(diàn )影《驴(lǘ(✴) )为媒》坚(👸)持(🦀)“小成本(🐵)(běn )、大情(qíng )怀、正(zhèng )能量(🙎)(liàng )”的创(chuà(🚦)ng )作宗旨(💼)(zhǐ )，紧扣(kòu )当前乡村振兴和(🔜)精(⏸)准扶贫(💖)主题，将(🤚)社会效益、价值引领放在(🈲)首(🦋)位(wèi )，引(📯)导(dǎo )人(🥧)们努(nǔ )力实现(xiàn )个人前(qiá(🥊)n )途(📳)与国(guó(🌌) )家命运(🎮)(yùn )、个体(tǐ )经历与(yǔ )时代(🤴)(dà(👔)i )大潮、(🤧)个体情(qíng )感与国家情感的同频共(🎥)振(📦)，激励人(🕑)们向上向善，自觉践行社会(🎮)主义核(🚿)心(💒)(xīn )价值(🧥)观(guān )，讴歌(gē )党、讴(ōu )歌人(🐩)民(mín )、讴(🔖)歌(gē )新(🏵)时代(dài )。

电影(yǐng )讲述(shù )了(le )巡(⚾)警(🎙)(jǐng )铁虎(🚍)和(hé )车(🧠)长赵(zhào )涛通过破获蝎子盗(🧤)窃(🚊)国宝"青(🧙)花壶"案(🚿)以及跨省市盗卖摩托车、(🥎)自(🍳)行(háng )车(🎣)的案(àn )件，维(wéi )护了社(shè )会稳定(dì(🐒)ng )，解(🦓)除(chú )了(👫)误会(huì )和隔阂(hé )，收获(huò )了各(gè )自(🚥)的(🛏)爱(ài )情(💷)的故(gù )事。

Paraíso Perdido é um clube noturno gerenciado por José (Erasmo Carlos) e movimentado por apresentações musicais de seus herdeiros. O policial Odair (Lee Taylor) se aproxima da família ao ser contratado para fazer a seguranç(🎨)a do jovem talento Ímã (Jaloo), neto de José(🚊) e alvo frequente de homofó(🍖)bicos, e aos poucos o laço entre o agente e o clã de artistas româ(🌳)nticos vai se revelando mais e mais forte - com nós surpreendentes.