“我的(🖐)一生中只害(hài )怕一(yī(😲) )件事(🦗)(shì )，就是(🐩)有一天，黑色(sè(😠) )会吞(tū(🌺)n )没红(😃)色。”

生田(🕥)斗真、瑛太(tà(🌀)i )主演(yǎ(🦎)n )前少(📥)年犯题(🏸)材电(diàn )影《友罪(🔧)(zuì )》，改编(🈺)自药(⏹)丸岳的同(tóng )名小(xiǎo )说(📡)，由濑濑(🕟)敬久(📀)执导(dǎo )。

本(běn )片撷取了(🔺)发生在(🏥)中国(🔀)北(běi )方小(xiǎo )城镇(zhèn )中(👟)一个中国青(👒)年出狱(yù )后的(de )一段人(🤱)生经历，讲述(🅾)了(le )一个(gè )小人(rén )物在(🐯)商品经济的(😵)大潮(cháo )中与(yǔ )时代的(🕑)隔离(🥏)，以及人(⤴)们(men )对金(jīn )钱的(📼)(de )崇尚和(🏓)理想(⏯)、道德(🅱)的(de )流失(shī )，对社(🏄)会与人(🌲)性作(♒)出了(le )深(🍶)度(dù )拷问(wèn )。尤(🌻)其是本(🔙)片以(🛂)(yǐ )中国(guó )农历(lì )冬季(👽)的四个(😫)节气(💁)作为篇(piān )章，具有强烈(🕠)的中国(🌨)文化(🔅)(huà )符号(hào )视觉。

Norm, the newly crowned polar bear king of the arctic, must save New York City and his home. But Norm goes from hero to villain when he's framed for a crime he didn't commit. He must work with his friends to clear his good name and help save his kingdom in a winner-take-all hockey match

不管这(🔄)导演嗑了(le )什(🏋)么(me )很纯(chún )的，全部都要(👻)给你来(lái )一(🅿)点(diǎn )！在澳洲这座曾经(🔱)被称(chēng )作「(🐪)无主(zhǔ )之地」（Terra Nullius）的(👚)大陆(🐕)，历史(shǐ(👯) )以前所未见的观点重(💀)新(xī(🈲)n )诠释(shì(🍷) )：当(dāng )《疯狂麦(🎰)斯》末日(♿)场(chǎ(🧥)ng )景成(ché(🤰)ng )为难民拘留地(🦇)，食人羊(📦)(yáng )成(👄)为(wéi )反殖(zhí )民叛乱份(🔏)子，《沙漠(🔒)(mò )妖(🤰)姬(jī )》与电视剧《请喜欢(🚪)我(wǒ )》有(🥉)(yǒu )了(🚾)跨时空的酷儿对话(huà(🚡) )……本片以(👾)近似DJ取样混音之(zhī )拼(🧥)贴(tiē )手法(fǎ(🥠) )，打开了虚构与史实(shí(🌿) )间的(de )神秘黑(👠)洞，大量援引电(diàn )影名(🔭)(míng )场景(jǐng )与(🧗)历史典故，穿越时(shí )空(👐)与(yǔ(🎾) )各种语(🏔)境，重写、改写(😮)(xiě )、乱(🍓)(luàn )写(🕰)，全面毁(👺)坏观众的三观(㊗)(guān )！这(zhè(🐮) )是一(🆓)部政治复仇预言，杂揉(🕓)(róu )讽刺(🛬)(cì )喜(🎎)剧、生态恐怖(bù )与公(⛎)(gōng )路电(🍿)(diàn )影(📯)类型，写下澳洲国族(zú(🍲) )神话(huà )从未(🛸)被纪录的史诗篇(piān )章(🥁)。

It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.

ユミは夫(🐅)と娘の３人(rén )暮らし(🎛)。近々引っ越(🗾)しを考えている。ユミ(🛅)は娘のレイ(🖋)ナが時(shí )折うわ言を(🎽)発す(🗓)ること(🔔)が、少(shǎo )々気(💍)にかか(💫)って(🦓)いた。転(🦑)居(jū )の報(bào )告(🔉)も兼ね(💼)て友(🥞)人ヒロミと久々に再(🏘)会する(🕊)ユミ(😝)。話題(tí )はいつしか「(🤘)あの日(✔)(rì )」(🦖)のことに。「私たちが(🗳)埋めた時、(🎤)本当に死んでたのか(🍧)な？」。ユミ(🧒)は「あの日」のこと(❌)を清算すべ(💾)く、サエ、アコにも(🌓)再会を決意(👪)し、廃(fèi )墟のような(⛵)家に(🔮)一人で(⏰)住むサエに会(🔼)いに行(🍝)く。サ(🛠)エは、(🐞)見知(zhī )らぬ少(🍊)女が現(⏩)れて(🏭)娘だと言って聞かず(✏)、しば(🎮)らく(🥫)一(yī )緒に暮らしてい(⛴)たが死(✒)んだ(🆗)こと、そして少女は(🧗)死んだまま(😽)その家の３階に寝か(🌸)されている(💇)ということを話し出(🌫)す。(C)「黄泉が(👆)える少女」製(zhì )作委(📽)(wěi )員会

Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.