巴勒斯坦電(dià(🛫)n )視(🔕)(shì(🖋) )台(🚴)攝(🔎)(shè )製臥底肥(🍒)皂(🍑)劇，連(lián )以(yǐ )色列(liè )婦孺都晚晚追看。編(biān )劇因情節(🐁)背(💞)離(⬇)革(✂)命(🎈)而辭(cí )職(zhí(👈) )，監(🕣)製(zhì )的多口侄仔助理受(shòu )命執筆(bǐ )，頻頻借女角之(🐲)口(♑)(kǒ(🌵)u )，向(🤘)電(diàn )視機前的(🖥)舊愛示好(hǎo )，以色(sè )列檢查站軍官則(🍻)企(qǐ )圖(tú )恃權影(🎑)響(💱)劇(🏕)情(🃏)發展，以(yǐ )便(bià(💈)n )在追看的嬌妻面前自吹自(zì )擂。助(zhù )理即使槍抵腦(🌈)殼(🚊)，都(⏰)不(🗄)肯(🦅)(kěn )接受軍官(📲)要(🌏)求的大(dà )團(tuán )圓結(jié )局。抗爭，必須繼(jì )續(xù )！影展新(❣)秀(💋)蘇(🌇)亞(⛳)比巧妙(miào )調(dià(🧡)o )侃(📀)以巴關係，他的喜劇(jù )座(zuò )右銘是(shì )：要能大笑，必(🍔)須(🤦)(xū(🃏) )面(🚘)對苦(kǔ )痛，並與(⚫)之周旋。獲威尼(ní )斯地平線單元最佳(♟)(jiā )男(nán )主角(jiǎo )獎(🏎)。

“NO BORDER 2D×(📕)3D” を(⏲)キ(🗽)ャッチフレ(🕒)ー(🔀)ズに掲げ、2Dと3Dの境目をなくすクリエイティブな(🕥)活(🎬)動(🚿)を(✒)目(📠)指す３DCGプロ(👑)ダ(🛑)クション“Picona Creative Studio”。本作(zuò )はどんなものでも捨ててみせる(🧦)ゴ(⤵)ミ(🆘)捨(🛳)て屋コンビと(⬜)、(🌜)魔法を捨てたい魔女が繰り広(guǎng )げる、ファッシ(🤔)ョ(🈴)ン(🕌)×(🕡) ポップ× アニ(🛷)メをキーワードに魔法と科学を絡(🍞)(luò )み合(hé )わせた(🤬)ス(🧤)ラ(🛸)ッ(😫)プスティッ(🔯)ク(🔟)・アニメーション。同社が長年温めてきたオリジ(🐐)ナ(🍕)ル(🔱)企(🤡)画(👢)が、ついに(📤)実(🍢)現(xiàn )！

SAM哥飾型格幹探重(chóng )案(àn )組梁(liáng )SIR 調查案件，可能(🎇)是(🐫)(shì(🔷) )一(🌫)(yī )隻變種兇獸(🐉)攻(😌)擊人類，他(tā )要消滅兇獸，拯救世界

一(yī )对情侣(lǚ )外(❕)出(👗)度(🕝)假(💂)，入住豪(háo )宅，然(🎙)(rán )而，当他们半夜醒(xǐng )来，却(què )发现自己躺在一个(gè )处(🎡)(chù(🌯) )处(🌔)充(🌦)(chōng )斥着恐怖(🍰)氛(😛)围的荒(huāng )弃(qì )诡宅中……他们意欲逃(táo )离(lí )，然而(😭)却(🛅)始(🌙)终(⛏)逃(🌗)不出去，努力(🚡)奔(♑)(bēn )逃，但逃往的地点(diǎn )却还是(shì )这所诡异的荒宅…(🏍)…(🏊)更(🎇)恐(🥉)(kǒng )怖的是，当他(🏈)们(🐒)再(zài )度(dù )回到这座诡宅，却发现(xiàn )，时间跟他们走出(🍙)去(㊗)的(🏻)时(📡)间(jiān )，一样(yàng )…(⛺)…

The full-length feature film "Azor", filmed in Mordovia by enthusiasts Victor Chichaykin and Alexander Uchevatkin, was ready a year ago. In autumn of 2017, the creators organized a test show, inviting connoisseurs of ethnography, ancient traditions and people interested in the theme of the history of the Erzyan people.

威尼斯國際電(diàn )影節參(cān )展作品

After years Toni and Rosa meet again in their old home village in southern Germany. While the village itself has to adapt to the changes of the future, the two women develop an explosive relationship until they reach a point, where both have to make a decision.

UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.