A shell shocked war veteran returns from Iraq to Detroit and finds the American Dream in ruins. Jim vanBebber is coming home - to war.

神枪手林浩天在一(💆)(yī )次(⛄)刺(🎀)(cì )杀执行中，发现(xiàn )要(🎠)杀(shā )的(🍒)人竟(🆘)是(shì )多年前失散的亲(qī(🎹)n )弟弟(dì(💉) )林，而亲兄弟已是上(shà(🗾)ng )海(🕖)滩(tā(✝)n )有权(🍷)有势(shì )的大佬(lǎo )。兄弟相(🔮)认，但弟(😩)弟已变成心狠手(shǒu )辣之(😻)人，两(⛹)人之(👖)间也(yě )随之(zhī )展开角逐(💳)(zhú )。

叶苍(😿)(cāng )受(🍗)师傅之(zhī )命进(jìn )入(🔡)云都(😠)照顾(🙀)一位故人(rén )，不想这位故(🥅)人早已(👺)(yǐ )亡(🔛)故(gù )；叶苍本(běn )想就此(🍚)离去(🤐)，此(🤱)(cǐ )时却(què )发现一名女(🌙)子与自(🌬)己(jǐ(💻) )有着(zhe )太多的命运纠葛(gě(🌧) )，因(yīn )此(🤵)叶苍改(gǎi )变主意留在(⛩)了(🕵)云都(⏮)；只(🗺)是此时的云都风雨(yǔ )飘(🎇)摇(yáo )，荼(💅)攴与(yǔ )慕乘风(fēng )正密谋(🕋)夺(duó(⛸) )取王(💽)(wáng )权；而为了维护那名(👱)(míng )女子(🕞)路凝(🍳)霜，叶苍展(zhǎn )现自(zì(🦗) )己超(🐃)群的(➿)(de )智谋，将大局掌(zhǎng )控在(zà(🍫)i )自己的(💹)手中(🌭)，终护的(de )那名女子不受丝(🛅)毫损(🚞)(sǔ(😽)n )伤……

A wealthy socialite's daughter discovers she was switched at birth.

年輕媽(mā )媽凱(⛅)西為了(🈂)逃離(🆔)(lí )家暴(bào )的陰影，帶著三(😗)個小(xiǎ(📑)o )孩住(zhù )進了一幢舊屋(🉑)。原(🌋)本(bě(🍊)n )以為(👩)這會(huì )是破碎家庭的避(🎞)風港(gǎ(🐁)ng )，沒料到入住之後，才是(shì(🔡) )一連(🕎)串心(🖤)(xīn )神不寧(níng )的開始。

本片(🤚)(piàn )导演(💶)童抒伟称，《追(zhuī )击者》将是(🍑)福建(😬)省第(🤚)(dì )一部(bù )真正意义(yì )上(🌻)还原(yuá(🌛)n )电影(🆗)本质(zhì )、追(zhuī )求电影艺(🤨)术的(👟)动作犯(fàn )罪电影，同时他(👭)也致(zhì(💮) )力于(🐪)(yú )拍摄出自(zì )己风格的(📹)电影，更(😬)希(xī )望能够打开漳州(🤘)，甚(shèn )至(😶)是(shì(🥏) )福建的电影市场(chǎng )，希望(🤛)能将商(🥎)(shāng )业与艺术想结合。

Stephen Sondheim’s legendary musical is staged for the first time at the National Theatre and broadcast live to cinemas.

王(🤧)小丁(🛶)（贾(📑)景晖 饰）是替(tì )某网站(🔞)工(gōng )作(😏)的摄(shè )影记者。生活(huó )里(🚄)，王小(🔍)丁总(🔢)是一副(fù )吊儿郎当的样(😎)子，没(mé(🏥)i )有任(🈂)(rèn )何一件事(shì )情能够(gò(🎋)u )让他(🏃)上心(xīn )，无(wú )论是对待工(👈)作还是(🃏)人(ré(🦖)n )际关系，王小丁都是(shì )无(🥞)所(suǒ )谓(🚟)的态度(dù )，整天浑浑噩(🛵)噩(è )的(😎)混(hú(🕦)n )日子。王小丁的现状(zhuàng )连(👑)神(shén )仙(🤰)都看不下去了(le )，于是派出(🧀)了(le )缞(🉑)神（(⌛)赵骏 饰）来到(dào )他的身(🏤)边，希望(🍡)能够(gòu )帮助(zhù )他重新找(👊)(zhǎo )回(🤧)生命(🎖)(mìng )的意义。可是(shì )很快缞(🔑)神便发(🎨)现，王(🥔)(wáng )小丁的无赖远远(🔆)超过(💙)(guò )了(🏣)他(tā )的预期，他竟然(rán )对(🤹)他毫无(♊)(wú )办(🦖)法(fǎ )。

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.