The incredible story of how the Beatles emerged from post war Liverpool and turned music upon its head with their changes from skiffle to rock and roll and the creation of the Mersey Beat sound.

從高峰(fēng )滑落谷底，比從(cóng )未風光過(guò )更難(📈)受？前(❇)曼聯(liá(📄)n )球星簡(🕡)東(dōng )拿(🚟)變身潦(🚆)(liáo )倒過氣(qì )藝術家尤(yóu )利西，那(nà )種時不(bú )我與的虛(xū )空落(🏷)寞盡(jì(🔟)n )在眉宇(📽)(yǔ )間。藝(〽)術(shù )學(🏈)生蒙娜(🐅)(nà )欲拜(🚏)他(tā )為師，反(fǎn )過來成了他重生(shēng )的希望。發現身患絕症後，他(⏲)由蒙(mé(🌱)ng )娜作伴(🚓)，走出隱(✉)居大(dà(🤝) )宅，尋訪(🔌)當年被他離棄的(de )弟弟(dì )及妻(qī )兒，坦白致歉望(wàng )求寬恕。感性(🦒)而不感(🔒)傷，碧巴(🛋)達以(yǐ(🌮) )不慍不(🚂)火的圓(🧕)熟(shú )技巧呈現(xiàn )破碎人生(shēng )的悲喜(xǐ )，冷不防(fáng )遇上慌失(shī(🚝) )失劫匪(🥛)(fěi )來個(⛏)黑色(sè(🎒) )幽默，也(🦅)(yě )未忘(💽)留(liú )下(🌽)孩子的(de )善良，溫(wēn )潤人間(jiān )。

Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.

ユミは夫と娘の３人暮(mù )らし。近(🚰)(jìn )々引(🍏)っ越し(🌶)を考え(🛹)ている(🤵)。ユミは(💊)娘のレイナが時(shí )折うわ言を発することが、少(shǎo )々気に(🖥)かかっ(🎢)ていた(🗳)。転(zhuǎn )居(♟)の報告(🎄)も兼ね(🖤)て友人ヒロミと久々に再(zài )会するユミ。話題(tí )はいつしか(🛩)「あの(⤵)日」の(🎮)ことに(🔵)。「私た(💙)ちが埋(😱)めた時(🗂)、本当に死(sǐ )んでたのかな？」。ユミは「あの日」のこと(🐢)を清(qī(🍎)ng )算すべ(🕡)く、サ(🔅)エ、ア(🕴)コにも(🌭)再会を決意し、廃墟のような家に一人で住(zhù )むサエに会(👻)いに行(🐮)く。サエ(🏏)は、見(🏻)(jiàn )知ら(🥄)ぬ少女(😚)が現(xiàn )れて娘だと言って聞かず、しばらく一緒に暮らし(🖌)ていた(⛰)が死ん(🐎)だこと(💇)、そし(🎹)て少女(🌄)(nǚ )は死(✍)んだままその家の３階に寝かされているということを話(🐪)し出(chū(🧚) )す。(C)「黄(🖱)(huáng )泉が(🚛)える少(🍽)女」製(🔟)作委員(yuán )会

This is the untold story of the true Mayan Apocalypse that has been misinterpreted by scholars and was to have taken place on 12/12/12 - that was obviously wrong. A secret group of Mexican superheroes, known as El Trio de la Luz, are forced by destiny to include their adopted gringo into their group to help fight to save humanity. Will the car salesman and local TV personality carry his weight and transform from the GRINGO into the GREEN GHOST? We shall see..

《水族魂1944》电影取材于(yú )上世纪40年代抗日战争(zhēng )日(😁)本(běn )投(🥛)降前夕(💶)，发生在(🏉)贵(guì )州(🦇)三都水(🏤)(shuǐ )族自治县九阡镇(zhèn )的真实历(lì )史事件。编剧多(duō )次实地采(🥇)(cǎi )风走(🌙)访，在走(🦅)访(fǎng )了(〰)当年亲(🧟)(qīn )历者(💰)和掌(zhǎ(😛)ng )握大量(liàng )的史实资(zī )料后，通(tōng )过写实(shí )的手法再(zài )现了当(💸)年(nián )水(🐬)族人(ré(👑)n )民英勇(🗝)抗(kàng )击(🏅)日本侵(🖕)(qīn )略者的(de )故事，体(tǐ )现了中国人民抗击侵略者(zhě )的决心，谱写(♟)了一曲贵州(zhō(🔘)u )少数民(🏹)族人民(📫)抗击日(☝)(rì )本侵(qīn )略者的英雄赞歌！《水族魂1944》这部电影在抗日(rì )战争爆发(fā )80余(🗃)年后的(🐋)今天推(🐂)(tuī )出，其(👘)真(zhēn )正(🗯)意义于(📤)中华民(mín )族抗战有(yǒu )益，更是(shì )贵州抗(kàng )战历史上(shàng )不可磨(🏊)灭(miè )，是(⬆)光(guāng )辉(🍈)灿烂，浓(🙋)墨重彩(🌓)(cǎi )的一(💐)笔(bǐ )，对贵州(zhōu )少数民族(zú )抗战的(de )肯定和宣(xuān )扬有着重要的(🐽)作用。

讲述(shù )一(🥓)名退休(🦑)的杀手(🐅)，无奈之(💭)(zhī )下只能重操旧业，用(yòng )上以(yǐ )往的杀戮技能，跟曾(céng )经的雇主(zhǔ )大(🎛)战一场(🏣)...

本片撷(🧖)(xié )取了(🔑)发生(shē(👇)ng )在中国(♈)北方小城(chéng )镇中一个(gè )中国青年出狱后(hòu )的一段人(rén )生经(🔄)历，讲述(😫)了(le )一个(🔡)小人(ré(🚁)n )物在商(🈺)品(pǐn )经(🔣)济的(de )大潮中与(yǔ )时代的隔(gé )离，以(yǐ )及人们对(duì )金钱的崇(chó(💌)ng )尚和理(🕸)(lǐ )想、(🎴)道德(dé(🛌) )的流失(✒)，对社会(🕧)与人性作(zuò )出了深度拷问。尤其是本(běn )片以中国农历冬季的(de )四个(gè(🐯) )节气作(🚧)为篇章(🗿)，具有(yǒ(⛑)u )强烈的(🚵)中(zhōng )国(🗺)文化符号视觉(jiào )。

Risking their life, they climb on narrow mountain paths every day, carrying 40 kg of goods on their back. Every mistaken step may chance upon a landmine. They are hunted like wild animals. And in the name of what? To earn just 10 dollars a day!?

Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.