《驴为(wéi )媒》故(🔲)(gù(😿) )事(🏌)发生在当下鲁西大地(🌜)上的(de )聊城(ché(💥)ng )市(💠)(shì )，讲述的是在京打拼(🌗)(pīn )多年的(de )有(💢)志(🍗)青年，得知老(🤘)家惠民政(zhè(🏐)ng )策后(hòu )，回乡(🚁)养(💈)驴、带领村民(mín )脱贫(🐙)致(zhì )富，实(shí(🏨) )现(🚝)自己创业梦，并赢(yíng )得(🚤)爱情(qíng )的故(🏥)事(🥪);讲(🉐)述了党的精(jīng )准扶贫(🚠)(pín )政策(cè )和(📀)(hé(😶) )乡村振兴战略在齐鲁(📥)(lǔ )大(dà )地的(🕚)(de )生(🌱)动实践，展现了基层党员(yuán )干部(bù(🌕) )在(🚰)(zà(📕)i )全面建成小康社会进(🐶)(jìn )程中的(de )“主(🍄)心(🏑)骨”形象。电影《驴(lǘ )为媒(⏹)(méi )》坚持“小成(🎼)本(💄)、大情(qíng )怀(⬅)、正(zhèng )能量(😹)”的创作宗旨(🏗)，紧(🌒)扣当(dāng )前乡(xiāng )村(cūn )振(🚌)兴和精准扶(😴)贫(🐗)主题(tí )，将社(shè )会效(xiào )益、价值引(🍡)领(🔬)放(☔)在首位(wèi )，引导(dǎo )人们(🐗)努力实现个(🥒)人(🏋)前(qián )途与国(guó )家命(mì(🍏)ng )运(yùn )、个体(😚)经(📃)历与时代大(dà )潮、个(gè )体情感与(🏸)国(🥟)家(🎙)情感的同频共(gòng )振，激(🧐)(jī )励人们向(🎟)上(🖤)向善，自(zì )觉(jiào )践行(há(🐜)ng )社会主义核(⚫)心(🕎)价值观，讴歌(💖)(gē )党、讴(ō(🐹)u )歌人民、讴(🐮)歌(🎱)新时代(dài )。

UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.

银行(háng )经理(👄)雅各布(弗兰(🎢)克(😡)·格里罗(luó )饰)的(de )同(tóng )事被暴徒夺(📥)去(📶)生(🌟)命，而他将(jiāng )和警察(布(🕢)鲁斯·威利(🏥)斯(🐥)饰)联(lián )手制服(fú )凶手(💭)。

On the stage, where the premiere of the musical was supposed to take place, the drama broke out ... People went to the feast - cheerful, bright, but turned out to be face to face with death. They, who became hostages, who managed to pass a terrible ordeal, while preserving human dignity and courage - are ordinary people who have become heroes ...

Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.

《假面骑士平(🖱)(pí(🈵)ng )成世代(dài )FOREVER》是(shì )一(yī )部穿越时空的战(🎣)斗(🎬)，在常磐(pán )庄吾与桐生(❣)战兔的世界(🆔)里(📅)发(fā )生了(le )异(yì )变，就像(🐔)被替换成别(🐨)(bié(🗒) )人(rén )一般(bān )、同伴们的(💜)记忆一个接(🛳)一(🦇)个(gè )地失(shī )去(qù )了。接(📺)着在他们面(🏫)前(⚽)(qián )，Super Time Jaker·Tid现(xiàn )身了，在守护少年幸吾的(🥟)战(🌏)(zhà(👺)n )斗中(zhōng )，庄吾遇见了一(📕)位喜欢(huān )假(💬)面(🛐)骑(qí )士的青年·充（(👷)Ataru）。

Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.

一名参(cā(🔨)n )加(📻)过一(yī )战的(💨)退伍军人被派往(wǎng )库塔(🍛)那(🛳)(nà )德担(dān )任(rèn )邮差，负(🛺)责给服役士(🥅)(shì(🥩) )兵的家(jiā )属递送补助(📳)金及信件。随(🦒)着(🦓)(zhe )第二(èr )次(cì )世界大战的(🗓)爆发，他(tā )的(⛽)(de )身(🌓)份(fèn )逐渐发生了变化(🔅)，从送钱之(zhī(🍦) )人(🃏)变(biàn )为(wéi )了报丧之人。

Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.

Seven snowboarders trek deep into the Cascade Mountains and become desperately lost as they are hunted by a school shooter.