MANOS Returns is the follow up film to the cult favorite Manos: The Hands of Fate, created by Jackey Neyman Jones who portrayed Debbie from the original film.
「島でぜんぶおーきな祭 第(dì )9回沖縄(shéng )国(guó )際映画祭」(2017年(nián )4月20~23日)の「TV DIRECTOR'S MOVIE」部門上映(yìng )作品。
Feature film project. Two idealistic women fall in love and embark on a mission to save the world from itself by bringing everything to an end.
《帕德(📨)玛瓦(🚕)蒂王(🥞)后(hò(👯)u )》改编(🐕)自(zì(🈯) )16世纪(🍬)一首(🛃)苏菲(🍸)史(shǐ(🔇) )诗《Padmavati》,原(🕑)是讲(🌫)述印(🏡)度战(zhàn )斗(dò(⏫)u )民族(🎩)拉(lā(👿) )杰(jié(⛅) )普特(🎌)人王(📸)后的(👹)史(shǐ(🚆) )诗,主(🔇)要(yà(🍍)o )描述(🧔)她为(😇)民族和(hé )人民对抗(kàng )外来敌人的故事(shì ),其中皇(huáng )后为了保护自己(jǐ )清誉而自(zì )焚。
《印度之夏(xià )》根据英(yīng )国女作家阿丽克斯(sī )·冯·藤(téng )泽尔曼(Alex von Tunzelmann)的同(tóng )名小说改(gǎi )编(🥉),描写(😌)的是(🐂)印(yì(✝)n )度独(🐇)立、(😁)印((🧢)度)(🏯)巴((🍘)基(jī(🔺) )斯坦(😉))分(🦊)(fèn )治(🎊)前后数十年中(zhō(📍)ng )印度(🍾)和国(🛁)(guó )际(🍤)上的(🏳)风云(📹)变幻(🤾)(huàn )。书(😏)中不(🚳)(bú )乏(🤽)(fá )人(🌬)们熟悉的著名(míng )历史人物(wù ),如甘地、丘吉(jí )尔、尼赫(hè )鲁和英国最后一(yī )任印度总(zǒng )督蒙巴顿将军等(děng )。
影片改(gǎi )编自真实故事,一群在少(shǎo )管所接受改造的问(wèn )题少年(🤽)(nián )们(✅)(men )冲突(🎈)不断(🤗),以雷(⬜)(léi )公(⛎)(林(🀄)哲(zhé(🎧) )熹饰(💊))和(🦗)高少(♏)(纪(🔥)言恺(🌙)饰(shì ))为首的两(🍒)派更(💴)(gèng )是(♓)时常(🍇)剑(jià(♒)n )拔弩(✊)张,令(😰)王科(🕟)(kē )长(🕒)(连(⛑)凯(kǎ(⛎)i )饰)(💎)很是头疼。直(zhí )到新院(yuàn )长(zhǎng )(萧蔷饰)到任(rèn ),她希望(wàng )用古典乐来教化(huà )这群问题(tí )少年,并特意聘(pìn )请了乐团(tuán )团长(金士杰饰(shì ))的女儿(ér )(程媛媛饰)担(dā(🍗)n )任音(🍖)乐老(📙)(lǎo )师(🔠),于是(👜)这帮(🐡)“坏(huà(🤒)i )小子(🛬)”们(men )开(🤐)始了(🤮)放下(🐐)武器(🏈)(qì )、(🐡)举起乐(lè )器的乐(🎥)团生(🚁)活,直(💕)到一(✈)次(cì(🎊) )大赛(🦗)前夕(🍁)……(🏭)
小(xiǎ(🖱)o )提琴(🚮)演奏(⛰)(zòu )家(⛵)沈馨怡(郭少(shǎo )芸 饰)夫(fū )妇在一次游玩中(zhōng ),不慎将(jiāng )三(sān )岁的孩子白小林(lín )(周昊勇(yǒng )呈 饰)丢失,被(bèi )布依族的(de )好心人白建国父(fù )女收养。十年之后,白小(xiǎo )林在(🌯)追求(❄)(qiú )音(🤡)乐梦(🥙)想的(🔘)过程(😆)(chéng )中(🕕)偶然(🚅)发(fā(🕤) )现了(🐗)自己(🥎)的身(🚫)世,也(⛄)因为(wéi )与(yǔ )小提(🏆)琴结(🔳)缘,通(🧑)(tōng )过(🥘)音乐(🕸)找(zhǎ(🥘)o )到了(🍋)自己(🐃)的亲(💶)身(shē(🈹)n )父母(🗄),一(yī(🌛) )家团圆。
80年代,老村长为(wéi )了女儿上学读书(shū ),努力赚(zuàn )钱养家···
A group of young men dare a classmate to reach the porch of a legendary old house, said to be haunted by the thirteen victims of a family massacre. In hopes of making a viral video they arm him with a video camera to prove he was there or to capture him fleeing in terror before even reaching the house, as others have. When he doesn't return, the guys must go in to get him. Inside they discover the truth about the house, the fate of their friend and their own fate as well.