《追爱大布局》9

Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.

The film centers on a man who has superpowers only one day a year.

Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.

A young girl and an old man are the only ones in a village who believe the old stories about dragons, and then a dragon arrives.

The Focusing Effect is a faux-documentary/horror film about three film students who make a doc about breakups, only to push one of their subjects too far.

藝術(shù )家自古(👌)皆(jiē )寂(🐗)寞或許(📱)是境界，人到中(zhōng )年(🎭)萬事(🎨)憂(🎺)(yōu )則是(🚒)現實(shí )。在畫室(shì )洋(🎐)洋灑灑(😍)(sǎ )呈現(🆎)自由雄風的(de )裸男畫(😲)作(zuò )令(💯)他一舉(🤨)(jǔ )成名，在(zài )家面對(🤝)前(qián )妻(🍿)懷着新(😧)歡骨肉(ròu )、與女兒(🐁)(ér )相處(🛄)尷尬(gà )卻令他一(yī )籌莫展(🚹)。貝蒙特(😙)的寂寞，在於如何(hé )在著名(🍬)畫(huà )家(🎗)與單親(qīn )爸爸雙重(chóng )身份(💛)、藝(yì(🦐) )術創作與家庭生(shē(😟)ng )活之間(💠)取(qǔ )得(🗝)平衡。維羅（《電影就(🚱)在(zà(🗾)i )街(🔞)角》，35 屆）(🚬)找來合作多(duō )年的(👻)編劇(jù(🤨) )兼美指(🥄)好(hǎo )友對號入(rù )座(👚)，還原(yuá(👐)n )藝術家(⛩)有血有肉(ròu )的矛盾(😆)本(běn )性(🔉)，在出(chū(✴) )世與入世(shì )的兩難(🌱)外(wài )，毋(🎶)忘點點超現(xiàn )實的幽默(mò(🔞) )。

《被遗(yí(🤝) )忘的季节(jiē )》是一部(bù )惊悚(👺)片，讲述(⛏)了一个平凡(fán )的人(🃏)在成(ché(🍘)ng )为杀人(🔉)犯(fàn )的过程中(zhōng )出(😲)现的互(👮)(hù )助、(🛫)放任等人类(lèi )心理(🧕)。将(jiā(🤪)ng )平(🤨)凡而又(💞)(yòu )寒心的无(wú )业游(⛪)民设(shè(⬛) )定为犯(👀)人，将弟弟设定为(wé(👽)i )充满出(🐜)人(rén )头(🤱)地欲望(wàng )的记者，将(🐪)偶发性(🥦)的一次(🙈)杀人与另(lìng )一个个(🏻)人(rén )的(👝)欲望相(xiàng )遇，如何(hé )演变成(🏵)连(lián )环(😕)杀人，平凡的(de )犯人为什(shí )么(⏸)成为怪(⚽)(guài )物。