從(📂)高峰滑落谷(gǔ )底，比(🐜)(bǐ(🔑) )從未風光過更(gèng )難受(🏺)？(🔰)前曼(màn )聯球星(xīng )簡(🕊)東(🌂)拿變身潦(liáo )倒過氣(🌭)藝(🌀)術(shù )家尤利(lì )西，那種(💯)時(🐌)不(bú )我與的虛空(kōng )落(😎)寞盡在眉(méi )宇間。藝(yì(🏳) )術(🌃)學生蒙娜(nà )欲拜他(👓)為(💌)師(shī )，反過來(lái )成了他(🔙)重(🥏)生(shēng )的希望。發(fā )現身(🏛)患絕(jué )症後，他由(yóu )蒙(💄)娜(🎵)作伴，走出隱居大宅(🍣)(zhá(🔩)i )，尋訪(fǎng )當年被他離(lí(🈹) )棄(🐓)的弟弟及妻(qī )兒，坦(🐮)(tǎ(🧜)n )白致歉望求(qiú )寬恕。感(👓)性(🚜)而(ér )不感傷(shāng )，碧巴(🏵)達(😶)以不(bú )慍不火的圓(❔)(yuá(🔩)n )熟技巧(qiǎo )呈現破碎人(🌝)生(🐉)(shēng )的悲喜，冷(lěng )不防遇(🍇)(yù )上慌失失劫匪(fěi )來(🐮)個(🕝)黑色幽(yōu )默，也未忘(😹)(wà(🚅)ng )留下孩子(zǐ )的善良，溫(👵)(wē(😪)n )潤人間。

UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.

又(yòu )到了年末(🔉)(mò )，阿呆和阿(ā )瓜像所(🥛)有(🔡)人(rén )一样，开(kāi )始为(👼)圣(🛥)诞节(jiē )及新年PARTY做准(zhǔ(♈)n )备，但是，作(zuò )为这个(gè(🤑) )世(🔤)界上动手(shǒu )能力最强(👝)的(🍉)小(xiǎo )发明家(jiā )，怎么(🙋)能(🈯)跟(gēn )普通人一样来(🏥)(lá(🌻)i )装扮自(zì )己的院子和(⛅)房(🦊)子呢？于是(shì )，两个(gè(🗞) )好朋友开动脑(nǎo )筋，对(🤭)自(🎈)己(jǐ )的家展(zhǎn )开了(🍳)不(📄)一样的(de )改造，当然(rán )，他(🛍)们(🍑)也没(méi )有忘记帮(bā(🏀)ng )自(🐅)己的好朋(péng )友选一件(🔂)“最(🍁)好的礼(lǐ )物”。

Risking their life, they climb on narrow mountain paths every day, carrying 40 kg of goods on their back. Every mistaken step may chance upon a landmine. They are hunted like wild animals. And in the name of what? To earn just 10 dollars a day!?

“假(jiǎ )如(🗳)音(🧐)乐是爱(ài )情的食粮(liá(🖤)ng )，请继续演(yǎn )奏吧！”以(yǐ(🚱) )配(👇)乐著称并为莎士比(bǐ(🤜) )亚(😑)爱情喜剧(jù )《爱的徒(📩)劳(🕥)》及《爱(ài )的胜利》（即(💛)《无(🤵)事生非(fēi )》）注(zhù )入无(🤢)限(🌿)活力的超人气导演(yǎ(🤜)n )克里斯(sī )托弗•拉斯(🐊)康(🍮)(kāng )贝（Christopher Luscombe）携创(chuàng )作(👼)团(📹)队(duì )重返埃文河畔(pà(🌛)n )斯(⏩)特拉福德(dé )的皇家(🍥)莎(👺)士(shì )比亚剧团(tuán )，执导(📻)莎(👒)翁(wēng )另一部滑稽(jī(🐔) )又(🤯)心酸的(de )单相思爱情(qí(🛏)ng )故事：

麦子(zǐ )的丈夫(👻)马(♋)(mǎ )豆根在煤矿(kuàng )事故(🗯)中(🍫)受了(le )伤，完全瘫痪不(🐓)能(🤑)治(zhì )愈，由此引(yǐn )发(🌶)出(🏭)麦子跟马(mǎ )豆根和(hé(🏵) )矿(⛅)主老于之(zhī )间充满悬(🚟)疑色(sè )彩的一(yī )场人(😵)性(🗳)较量，麦子用她的(de )坚(😒)贞(🎠)和(hé )执着发现了美(mě(🐃)i )丽(🍐)谎言背后(hòu )的真相(🏎)(xià(🔀)ng )，她对未来的(de )生活也不(😦)知(💦)(zhī )会做出怎样(yàng )的(👖)选(🥓)择。

多摩湖のほとりで(🌅)男性(xìng )の遺体が発見(💢)さ(Ⓜ)れた。遺体の身(shēn )元は(🤜)、株(zhū )式会社橋本(bě(🍇)n )商(🅱)事の社長(zhǎng )である(🛃)橋(🔩)本圭一（山(shān )上賢治(🌕)）(🍹)と判明。死因は頭がい(🚏)骨の骨折による失血(✝)死(⛽)で、後頭(tóu )部を鈍(🍣)器(🧙)のようなもので殴打(😭)さ(🕙)れていた。身(shēn )元確(✴)認(👀)に来(lái )た社員(yuán )の伊(💌)藤(🏮)（浅香(xiāng )航大）に(⏲)よ(🍭)ると、橋本(běn )は最後(👚)の電話で、兵(bīng )庫の(🔠)「(🐹)丹波(bō )篠山」にいる(🌱)と言っていたという(🏠)。遺(💻)体(tǐ )が発見された(🦑)東(🌪)京の多(duō )摩湖からは(⤵)距(🙈)離があることから、(😠)別の場所で殺害され(🏰)た(❓)後に遺(yí )棄された(🚖)可(💅)能(néng )性がでてきた…(🧕)。

Siblings torn apart by the hazards of life meet in Spain to settle the family's modest inheritance. Gustave, the mover, on the brink of bankruptcy, Jules the anarchistic activist, and Lou, the youngest, lost between her brothers, yearning for the unknown. Each one has a different outlook on life and their personal projects for this inheritance will reawaken family disagreements and phantoms of the past.