Since early childhood, Bjö(🏽)rn has secretly carried an insurmountable fear. When his father dies of old age, he and his four sisters are each left with a video message, that makes him question everything. Director Johan Löfstedt’(🏂)s extended family play themselves in a heartfelt and unconventional film about life, death and the courage to change
泰发集(jí )团少公子肖浩(hào )与(👪)红星(🍛)地产(chǎn )二(èr )公子康俊发(👂)(fā )生(📍)了口角，肖浩无意中(zhōng )看(😦)(kàn )见(🙏)一个一身(shēn )白衣女子，一(🦊)(yī )次(📈)偶(⏳)然间，肖浩发现(xiàn )周毅(💾)的车(🌦)内(👤)有(yǒu )一张千年古宅(zhá(🔄)i )，人间(🏆)炼(💖)狱(yù )的宣传册，因此产(🥥)生了(🤴)(le )浓(✊)(nóng )烈兴趣。
Nine no-budget horror/comedy shorts that explore themes of murder, death, revenge, self-mutilation, stalking, clones, hell, and weird squid babies.
《寺岛》：刚(gāng )刚(gā(👄)ng )拿(🌸)到第一个(gè )连载的漫画(🤩)家(💽)山(👢)崎（峯(fēng )田和伸 饰），因(🍵)为助(🐐)手突(tū )然(rán )走掉而疲于奔命(🍁)。某(mǒ(🕵)u )个下雨的日子(zǐ )，自称寺(🎋)岛(dǎ(⛩)o )的(de )女子（吉冈(gāng )里帆 饰(😤)）前(🚾)来担任助手(shǒu )职(zhí )务。作(😒)为创(🔋)(chuà(📟)ng )作素材，寺(sì )岛(dǎo )向漫(🦉)画家(🤾)讲(🚪)述了一个(gè )可怕的故(👚)事。
郑(🥤)思(🎫)杰监制，卢炜麟执导(dǎ(🔞)o )的《今(😶)晚(📇)打僵尸》则是(shì )港(gǎng )味十足(✝)的(🗯)喜(xǐ )剧，将主攻(gōng )香(xiāng )港(😯)本(🗿)土(➿)市场(chǎng )，不会在内地公映(➕)。由(yó(😲)u )白只、张继聪(cōng )主演的《今(jī(🥓)n )晚(wǎ(🥗)n )打僵尸》则是一部惊(jīng )悚(🚬)题材(🗻)的喜剧(jù )，该片根据(jù )余(🍷)(yú )咏(😀)良的畅销(xiāo )小说改编而(🍨)成。
An evil creature attacks a small mining town. A college student and a cranky outcast must uncover the mystery ysgou.cc of the creature's past to put an end to the bloodshed.
千(⏰)百(🔺)年(nián )来(lái )，地球上一(yī(🍄) )直住(🔱)着(🌩)一种(zhǒng )外(wài )星生物，名(🎀)叫喵(🥍)星(🏊)人(rén )。它们从遥远(yuǎn )的(🍌)喵星(📶)来(📴)到地(dì )球，化身为(wéi )猫科动(🚝)物(❓)，分散在世界(jiè )每(měi )个角(😃)落(⛷)。萌(♟)(méng )萌的外表，加(jiā )上机智(✍)聪明(🚄)(míng )的头脑，轻易就得到人(rén )类(🚶)的宠(🔹)爱。不(bú )愁吃喝的它(tā )们(😥)(men )桀骜(🧕)不驯，活像饱经(jīng )沧桑的(💇)江湖(👞)大(dà )佬。犀犀利(lì )就(jiù )是(🌬)他们(🌷)中(🚊)的(de )一员，作为一名正牌(🍌)的(de )喵(🔩)(miā(🕯)o )星来客，它(tā )肩负使命(🕷)长(zhǎ(♎)ng )途(🍊)(tú )跋涉来到地球，却意(👚)(yì )外(🖊)遇(🎵)到了吴守(shǒu )龙（古天乐(📎)饰(➰)(shì(🍮) )演）一家，上演了一幕相(✴)运(✌)相(🗺)生，喵(miāo )趣横生的人(rén )猫(⛲)奇遇(✈)记。
在(zài )两轮服役后(hòu )，乔在等(😇)待战(🏽)后综合症(zhèng )治疗的过程(😴)中(zhō(🚗)ng )正常生活逐(zhú )渐(jiàn )瓦解(🍽)
建筑(💬)工程师迈克(kè )尔(ěr )打算(🍆)带着(🧚)十(🍦)(shí )四年都未曾(céng )联(liá(🔂)n )系的(😷)儿(🔔)子路(lù )易斯去挪威参(🎺)加父(🎱)亲(🥋)的(de )葬(zàng )礼。二人因(yīn )此有了(🅰)一(🏟)段(duàn )从(cóng )未有过的独处(🈂)时(🎞)光(⚽)，迈克尔也想借(jiè )此机会(🕶)弥补(💮)自(zì )己作为父亲(qīn )缺席的十(🌱)四年。然而，无(wú )论迈克尔怎(zě(🛰)n )样试(🙇)图和儿(ér )子(zǐ )沟通都无(🔘)法(fǎ(🔍) )得到积极的回应，二人(ré(⬆)n )之间(💸)仿佛有着(zhe )一堵无法逾(yú(💸) )越(yuè(⏮) )的(❤)心墙。尽管这一路(lù )上(🛄)(shàng )遇(🗃)到(🎫)的种种(zhǒng )麻烦让路易(💁)(yì )斯(🔏)(sī(😰) )一直埋怨父(fù )亲的粗心大(🏟)意(🚨)，迈克尔(ěr )依(yī )然希望能(🤼)够(🃏)(gò(➰)u )推翻彼此间(jiān )的(de )隔阂。
When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.
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