When a quick-witted but co-dependent college girl helps her best friend land a boyfriend, she's left on the outside looking in and is forced to deal with the realities of adulthood for the first time.

本片基于弗洛(🎰)伦西亚(🕣)(yà )埃(🌁)切夫斯的小说(shuō )《科(😸)(kē )妮莉(🍀)亚》改(🤫)编，讲述(shù )一位来自布宜诺(🤫)(nuò )斯(👄)艾(ài )利斯的名(🐗)校老师(shī )和(👌)(hé )五(🏳)名学生进行了(🐲)(le )一次(cì )学习(🏯)旅行(🤗)，其中(zhōng )一个(gè(🐂) )叫科妮莉亚(🐊)·维(wéi )拉尔(ě(✂)r )巴的(🤘)学生神秘失(📬)(shī )踪，据说，她和(🛂)同伴(🍵)们(men )相约一起(🏗)去跳舞(wǔ )，结(jié(🍺) )果在(💬)巴塔哥尼亚(yà )森林(lín )中走(🖖)失....

“假(😮)如音(yīn )乐是(shì )爱情(♎)的食粮(🌐)，请(qǐ(🧀)ng )继续演奏吧！”以配乐(lè )著称(🤒)并为(👻)莎士比(bǐ )亚爱(ài )情喜剧《爱(😬)的徒(📷)(tú )劳》及《爱的胜(💭)利》（即(jí )《无(🛷)事生(🥜)非》）注(zhù )入无(🚙)限活力的超(🦆)(chāo )人(🌫)气(qì )导演克里(🤽)斯托弗(fú )•(☔)拉(lā )斯康贝（(🔆)Christopher Luscombe）携(📑)创(chuàng )作团(tuá(🥣)n )队重返埃文河(🥖)畔(pà(🎣)n )斯特(tè )拉福(🗝)德的皇家莎士(🔕)(shì )比(📐)亚剧团，执导(dǎo )莎翁(wēng )另一(🥜)部滑(🔪)稽又心(xīn )酸的(de )单相(🔖)思爱情(👱)故事(🤳)(shì )：

不(bú )管这导演嗑了什(👵)(shí )么(😈)很纯的，全部都要给(gěi )你来(🍔)一点(🕙)！在澳(ào )洲这(zhè(🍄) )座曾经被称(💉)作「(🐶)无主(zhǔ )之地」(❣)（Terra Nullius）的大(dà(🧔) )陆，历(🔇)史以前所未见(😲)(jiàn )的(de )观点重(🕖)新诠释：当《疯(💠)狂麦(🍒)斯》末日(rì )场(⛔)景(jǐng )成为难民(🎿)拘留(🔠)地(dì )，食(shí )人(🙄)羊成为反殖民(⛷)(mín )叛(🎅)乱(luàn )份子，《沙漠妖姬(jī )》与电(🍄)视剧(🌷)《请(qǐng )喜欢(huān )我》有了(🕶)跨时空(✅)(kōng )的(✒)酷(kù )儿对话……本片(piàn )以(⬇)近(jì(🌥)n )似DJ取样混音之拼(pīn )贴手法(⏰)，打开(🅰)了虚构与(yǔ )史(💲)实间的神秘(🏟)黑(hē(🏽)i )洞，大量援引电(🏢)影名(míng )场景(💹)(jǐng )与(🕘)历史典故，穿(chuā(👱)n )越时(shí )空与(➿)各种语境，重(chó(🌚)ng )写、(💆)改写、乱写(😒)(xiě )，全(quán )面毁坏(🍔)观众(🆖)的三(sān )观！这(🚶)是一部政治复(👺)(fù )仇(🦖)预(yù )言，杂揉讽刺喜(xǐ )剧、(🐎)生态(🌞)恐怖与公路电(diàn )影(🥢)类型，写(👪)下澳(🥣)(ào )洲国(guó )族神话从未被纪(🙊)(jì )录(🦁)的(de )史诗篇章。

本片(piàn )撷取(qǔ(🌠) )了发(✉)生在中国北(bě(🈲)i )方小城镇中(😰)一个(🔖)中国青(qīng )年出(📆)狱后的一段(👲)(duàn )人(🙏)生(shēng )经历，讲述(⛩)了一(yī )个小(⛸)(xiǎo )人物在商品(🏢)经济(👴)(jì )的大(dà )潮(🐶)中与时代的隔(♓)(gé )离(🏢)(lí )，以及人们(🈹)对金(jīn )钱的(de )崇(🛤)尚和(👩)理想、道(dào )德的(de )流失，对社(🚒)会与(🗒)(yǔ )人性(xìng )作出了深(🕊)度拷问(🦄)(wèn )。尤(🙉)(yóu )其是本片以中国农(nóng )历(🍞)冬季(📺)的四个节(jiē )气作(zuò )为篇章(🌝)，具有(🤧)强(qiáng )烈的(de )中国(📜)文化符号视(✒)(shì )觉(📌)。

It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.

４K/8Kの高解像(⬇)度(dù )による(🧓)大型映像をはじめ(😭)、CMやPV、テレ(🥣)ビ番組(zǔ )、さ(⏪)らに(🍚)はwebクリエイ(🚍)ティヴ・デザ(🧡)イン(📴)やグラフィック方(fāng )面で(🧗)も活(🗺)躍するIMAGICAイメージワークス(🖕)と、(🦊)『ALWAYS三(sān )丁目の夕日(😘)』シリ(🎷)ーズ(⛵)や『永遠の０』などの大(🎞)ヒッ(💁)ト作で知られる映像制(zhì(🛌) )作集(🐍)(jí )団ROBOTがタッグ(🕰)を組(zǔ )んで(💣)、子(🦑)どものころに(❄)見(jiàn )た夢を(🗣)失いながら大人に(🐃)なり、多忙(🎲)を極めて久し(🌺)い現(📽)(xiàn )代人(rén )の(🖖)心に、かつて(⏺)のあ(🔂)の“想い”を蘇(sū )らせるSFファ(🐛)ンタ(🗼)ジー！

Dave Stimple, an unfocused mattress store owner, is having issues connecting with everyone around him. He arrives at the shop one morning to find the local health and safety people have shut him down. Bugs, huge bed bugs and lots of complaints are cited as the reason. Dave is really confused and his relationships with his wife, friends, and his own humanity seem to be devolving and increasingly distracting anomalies begin to take over his reality. But his issues may not be as internal as they seem.